This is a novel with layers. Superficially, it’s a “chick lit” relationship novel. The narrator, Dr. Sarah Phelan, says as much in the first chapter. This layer is a classic romance of a woman falling in love with a man who at first seems to be Mr. Perfect, but who has hidden Byronic depths.
The difference with this book is, Dr. Phelan is aware of how her story fits into the conventions of the genre, and repeatedly makes meta references to what part of the standard story she’s in, or acknowledges different tropes that she encounters.
And she has more going on in her life than just her relationship with her new beau (name: Dylan Cakebread). She’s still getting over her ex-husband, who has become a published author, and dealing with a long-running feud with her sister Ella. Fortunately, she has the support of her close friend, Jules, whose chatty, gossiping manner made her a treat every time she appeared.
But there’s more to this book than a mere girl-meets-boy light romance. It’s deeper than that, and it doesn’t always hew to the conventions of the genre. In fact, it’s not really a “genre” book at all, though of course at first glance it appears to be. Like other Brennan books I’ve reviewed, it’s not one you can easily pigeonhole.
Also like other Brennan books, it’s full of memorable lines. Like Dr. Phelan’s comments on a certain genre of fiction:
“I think there’s really only one enormous thriller out there now, made up of the hundreds of thousands of them that are published every ten minutes or so, and our job as readers is to somehow knit them all together.”
And then there’s this line from Jules’ husband, Wayne:
“Everything is unsustainable,[…]We’re living in the Apocalypse Years, right? Nobody knows when the shit’s gonna hit the fan, but it’s pretty obvious that it is.”
Occasional Soulmates was published in 2014, and this line reminded me of Brennan’s later novel, Eternity Began Tomorrow, an environmentalist political thriller that painted a picture of the year 2020 almost as insane as the real one.
Like Eternity Began Tomorrow, Occasional Soulmates doesn’t conform to the genre it superficially appears to be. It winds up going in a very different direction than I expected, but I should have known it would. Brennan never falls back on tired clichés, and always strives to surprise his readers.
If you like clever literary fiction that has more to it than meets the eye, this is a good read. Also impressive is how well Brennan writes his female protagonist. As Audrey Driscoll said in her review, “Either Mr. Brennan is a mind-reader or he had really good intel from women. I loved the girly-gossipy tone of the narration, especially the parts where Sarah and her best pal Jules dissect relationships and classify men.”
I couldn’t agree more. Writing female characters when you’re a male is quite tricky, but Brennan manages it beautifully. This is just one more reason why this book is worth your time: Brennan is a master of the craft, and it shows on every page.
[Listen to an audio version of this post below]