Moon Goddess is about a young woman named Lamorna who is forced to flee her home with her infant brother, pursued by the soldiers of the lord who holds sway in the region.
With the guidance of a mysterious wise woman, Lamorna is aided by spirits and manifestations of an ancient goddess, whose followers and rituals differ greatly from the harsh patriarchal religion of her upbringing.
This book is steeped in mythological elements. As Spicer documents on her blog, she put intense research into this, from the world in which the story takes place to the wolves to the legends. Moon Goddess is rich with folklore references and fragments of old religions.
This is important, because for the most part, the description of the world in which the story takes place is minimal. As with Spicer’s The Cursed Gift, the focus is on the characters and what they say and do, with little excess verbiage about the setting. This is probably controversial, but personally, I love this about Spicer’s work. It reminds me of what Paul Graham said about Jane Austen: “She tells her story so well that you envision the scene for yourself.”
I don’t know that I’ve ever seen a world this rich made with so little description, but I was very impressed by it. The only point where it was an issue for me (and I realize this won’t make sense until you read the book) was that I would have liked to have read more about the Wild Horde, which has a relatively small, but important role in the story. It’s such a cool concept; I’d have liked to know more.
One other nit-pick: while most of the book was from Lamorna’s point of view in close third person, there were a few chapters told from her fiancé’s perspective, in the same style. There’s nothing wrong with this, except it came relatively late in the story, and felt a little jarring, since it is clearly Lamorna’s story.
That’s a minor point, however. All in all, I really liked Moon Goddess–it’s fantasy, but with sufficient grounding in folklore that it felt authentic. It’s mystical and mysterious, but without its characters ever being totally overwhelmed by the supernatural elements.
Also, there have been two different covers of this book, and they are both great. The current one is pictured above, but I had to include this one as well.
I like the current cover, especially because all of Spicer’s book covers follow a certain pattern that makes them look like a true collection. That said, this earlier cover also has its charms. So vivid and evocative!
Whichever cover you prefer, though, this is a great read for fans of fantasy stories with strong mythological elements.
Your reviews always highlight the salient points which are the attractive features of the book.
I tend to enjoy fiction books which are more about dialogue (and a bit of internal monologue particularly if it sardonic or self-deprecating) when handled well the characters truly come alive.
I agree–in my opinion the best stories are told largely through dialogue, with only light description.
That said, my own early stories were (rightly) criticized for having too little description, so I try not to neglect it completely. 🙂
There’s always that tricky balance of getting it just right.
And when you think you’ve accomplished it to the satisfaction of yourself and some readers/writers you’ve got to know…..
Along comes someone new to pick other holes in the entire shebang!
Hey-ho!
Writers eh? Why do we do it?
Don’t answer that question, unless you have a spare five hours! 😉
I really need to read this book sometime! Good review.
Thanks! It’s a fun book, and Joy’s research is impressive.