Quick! Name that movie about a pilot who gets horribly burned and disfigured. You know, the one where earlier in the story, he’s been trying to save the life of his secret lover. In fact, he’s so desperate that he turns traitor and aids a tyrannical, militaristic government. But even so, he fails–his lover dies, and he becomes a barely-living shell of his former self.
Got it yet?
Actually–as you already guessed from the title of this post–that describes two movies: The English Patient, starring Ralph Fiennes, Kristin Scott Thomas and Juliette Binoche, and Star Wars Episode III: Revenge of the Sith, starring Ewan McGregor, Natalie Portman and Hayden Christensen.
The English Patient was nominated for 12 academy awards, including best picture, which it won. It’s considered a powerful, moving, tragic love story. Revenge of the Sith was a box office hit, but was generally received poorly by critics. The Devil is in the details.
Actually, in this case, the Devil is in how the main character is written and performed. Count Almasy, the lead in The English Patient, is just likable enough that while you don’t exactly forgive him for giving aid to the Nazis, you can believe he truly did it out of his love for Katherine. He really seems like he cares about her. Add to this Ralph Fiennes’s charisma and acting skill, and you have a compelling doomed romance.
Anakin Skywalker, on the other hand, is an entitled jerk from his first scene to his last. He constantly whines about why he hasn’t been given privileges that he has not earned, while simultaneously breaking every Jedi rule. Even his supposed love for Padme never seems like anything other than an excuse to commit further atrocities. He claims to be trying to save her (“from [his] nightmares”), but ultimately kills her himself because of his inability to control his arrogance and rage.
Now, I’ve left out quite a few differences between the two movies. The English Patient is told through flashbacks, and there is another plot running through it parallel to the story of Almasy: the story of Hana, the nurse who finds him after he’s been burned, and her own struggle to deal with the horror of war and death. The only other plot element in Revenge of the Sith is about an evil robot General with four arms. So maybe the main character isn’t the only issue here.
Even so, I still think there is a really strong story in Revenge of the Sith. You can see it whenever McGregor, Portman or Ian McDiarmid are on the screen. It’s just that it kept getting undercut by the massive problems with the way Anakin Skywalker is written and portrayed. (Once he becomes pure evil in the final third of the movie, it really comes together. This is probably because Christensen was better at playing evil, and an evil character is easier to write than a complex one.)
The bottom line is: when Count Almasy gets burned alive, you think: “poor guy, he just wanted to help the woman he loved.” When Anakin Skywalker gets burned alive, you think: “the S.O.B. had it coming.”
Well said. EP also had full frontal nudity by Kristen Scott Thomas, that helped a lot.
I watched “The English Patient” for the first time in a class with some 30+ people. The DVD had a glitch where it would freeze on one frame–and of course, it was right in the middle of the nude scene. I’m not sure whether the men or the women in the class felt more embarrassed.
Now I wonder if the teacher planned it that way