TEThis is a departure from the kind of book I normally review. I mostly focus on reviewing modern indie books. This book was published in 1974, and while it isn’t exactly a famous book, it’s reasonably well-known. (375 ratings on Goodreads.)

So, why am I reviewing it? Well, I picked it up on a lark after seeing the cover and decided to give it a try. It’s sci-fi, which I like, and it follows a team of researchers exploring a distant planet.

The protagonist is researcher Ian Macauley, an introverted and extremely intelligent man who is part of the new rotation of scientists journeying to the world of Sigma Draconis. Supervising the team is General Ordoñez-Vico, an authoritarian martinet with little appreciation for science and a great deal of paranoia. Ordoñez-Vico is authorized to make a recommendation to the Earth authorities on whether the mission should continue, and all the science team walks on eggshells to avoid enraging him.

This makes their already difficult task more complicated, as they are facing the incredible challenge of reasoning out what befell the race of beings known as the Draconians, an intelligent race which went from the Stone Age to the Space Age in a very short period of time–and then to extinction shortly thereafter.

The science team is an international coalition of researchers–brilliant people from various fields and all different backgrounds. And even so, they all find themselves turning to Ian for inspiration, as his brilliant, empathic mind–which he likens to a “haunted house”–tries to unravel the mystery.

The characters are well fleshed-out and believable. There’s a romantic subplot between Ian and Cathy, another member of the team, and it doesn’t feel tacked on at all; it seems completely believable and emotionally consistent.

There isn’t much “conflict” in the typical sense; it’s really a mystery. The main plot is centered on uncovering what happened to the Draconians. Some readers might find the middle section of the book a bit talky–it’s a fairly realistic depiction of scholars arguing over theories–but personally, I liked it. It made for a compelling intellectual exercise, and while it’s sometimes a bit verbose, it makes sense that scientists would have discussions like this.

Another terrific concept is the method Ian uses to try to get “in the minds” of the extinct race. I won’t spoil it, but it really is ingenious.

Something else I won’t spoil is the answer to how the Draconians went extinct. The ending of the book does explain that, in a way I found satisfying and logical. And there is a resolution for the human characters’ storylines as well. Though here I’ll risk a little bit of spoilage to note that readers should be warned: this isn’t an upbeat book. I won’t say too much, but don’t expect the sort of sci-fi story that ends with a victory parade and a medal ceremony, let’s just leave it at that.

There are a lot of elements of the horror genre in Total Eclipse. The premise of a team of scientists researching alien life in a remote and forbidding setting is a classic horror concept that runs from At The Mountains of Madness through Who Goes There? up to the Alien prequel Prometheus. Yet, this isn’t a horror novel, or at least not in a monster story kind of way. There is horror, but of a more subtle, realistic kind, and blended very closely with the wonder of exploring a new world, utterly different from our own.

The horror and the wonder mingle together to produce a profoundly weird and memorable mood. It’s something close to the feeling of sublime terror that the literary Romantics of the 18th and 19th centuries sought to evoke with Gothic fiction, and yet at no point does it suggest there are magical or supernatural elements at work. The “science” in “science fiction” is definitely emphasized throughout.

And now–even though I promised I would try to stop doing this–a word about the cover. Or rather the covers.

The cover for the Kindle edition that I have is just whatever. It fulfills the minimum requirement of having the author’s name and the title displayed clearly and legibly, but other than that, has no artistic merit whatsoever.

The cover for the paperback edition, pictured above, is a major reason I bought this book. I saw it on Henry Vogel’s Twitter page, and I fell in love at once. Look at it–it’s beautiful. Mysterious, evocative and intriguing. To me, the style of art that went on the covers of these classic sci-fi tales was something of a high point for cover design. Modern photo editing software allows cover designers to create wonderfully realistic images, but these often fail to capture that unique blend of star-gazing romanticism and gritty reality that these older covers do.

TLRFA-6

“Big ol’ storm’s rollin’ in,” Sandra noted after the thunder subsided. “Anyway, you were tellin’ us about this Eidolon thing.”

Charlie nodded importantly. “No one knows what it is. It’s invisible, but you can feel it coming, because it knocks out the power when it does. Old Doyle, the weekend guard, swears it’s a failed experiment with nanobots. He figures the nanites were given the programming of a hush-hush prototype network-distributed crime-fighting artificial intelligence they’d been working on in R&D, and they went nuts. Now they roam the factory in a swarm, killing anyone they find.”

“Uh huh. So what’s this got to do with the night you found Mr. Lurge?”

“Well, I was at my station up front, just doing my usual. I thought I heard noises back here and but figured it was just Samuel. I was looking at some, uh, pictures—security footage, that was it—when I looked up and out the window.  That’s when I saw the parking lot lights going out—first they’d flicker, and then they’d pop out. When my desk lamp started doing the same thing. I knew it had to be the Eidolon coming.”  He nodded with great seriousness.

“And you realized since it was coming across the parking lot, your best bet was to retreat into the factory,” Venus finished.

Charlie blinked a few times. “Yeah… that’s right. How’d you know?”

“We’re detectives,” said Venus.

“Oh, yeah…”

“So, Charlie, let’s all go into the factory. Ms. Darcy and I will go first, make sure the coast is clear, then you can show us where you found Mr. Lurge, and we’ll clear out, okay?”

“You’ll go first?” he said, his cocky manner starting to return. “I’ll keep watch on the rear.”

Sandra again fought the urge to roll her eyes. Some security guard, she thought to herself.

“Let’s get going,” Venus said blandly.

“Well, okay. But I’ve gotta warn you: there’s no telling what’ll show up in there. You know, there have been teams of pro ghost hunters that come to investigate this place, and you know what?”

“They were all killed by ghosts, providing hard evidence of a spirit world which somehow has still received no attention from the media?” Sandra snapped.

“Uh, no… not that.”

“Didn’t think so, actually.”

“But they recorded these freaky noises! Here,” he pulled his phone from his pocket and tapped a few times, then held the device up for Sandra and Venus to see.

On the screen was displayed green-tinted night vision footage of a bearded man standing in the beam of a strong light, throwing an eerie halo around him as he walked through what appeared to be an endless black abyss.

“They say this is where the old floor manager was burned alive by the robot’s cannons,” the man on the screen was saying. “It’s pretty spooky, I can tell you. It feels like there’s something here. We’re lucky our equipment works down here, the energies in this place can disrupt electronic devices. Our cell phones have been on the fritz since we got here.”

From his pocket, the bearded man took a small rectangular device and held it up to the air.  “Let’s see what our proprietary ectoplasmic aural spectrometer can detect.” After a few moments, he lowered the device and pressed a button on the side. It began to playback a weird series of noises which resembled badly-garbled speech, as if spoken on a radio frequency full of interference.

“Do you hear that?” He said. “It’s saying ‘get away,” isn’t it?”

He played the noise back several times: “Get away! Get away! Get away!” it said, and though still garbled, each time it seemed clearer and clearer.

“The human ear can’t detect the cries of lost souls,” the man concluded, “But our devices detect the frequencies from the planes beyond, of spirits stuck between this world and the next.”

The clip ended there, and Charlie gave a firm nod towards his phone, as if to say, “I told you so.”

“That was recorded on the factory floor just about a year ago,” he said. 

“Okay, good,” said Sandra. “Come on, enough stalling; let’s get this over with. How do you turn the lights on in here?” She stepped through the huge doorway and into the cavernous room beyond. Although in the darkness she could see only a few feet ahead, the echoing of her footsteps told her the room was vast indeed. 

“You don’t,” said Charlie.

“What?” 

“You don’t turn the lights on. The old man took out the wiring years ago; he said he didn’t want to waste the money. During the day, enough light comes in that you can see pretty good.”

“And at night?”

“No one’s supposed to go in here at night; except for ghost hunts, and those happen in the dark anyway.”

“It’s okay,” Venus said, “Sandra; I think my eyes’ll adjust pretty well, if you want to hang back, I’ll go with him—”

Oh, so you can take the credit? Sandra thought. “I’ve got a flashlight; I’ll be fine, c’mon, let’s go.”

Sandra flicked on the beam of light and the three walked into the room. More muffled rumbling from outside indicated the storm was drawing near. Sandra flicked the beam of her light from left to right; inspecting the surroundings. Dilapidated conveyer belts and welding arms sat on the left; on the right, massive rust-covered hooks, designed for loading the finished products into government trucks, hung ominously from chains that disappeared into the blackness above. At irregularly-spaced intervals were pyramidal stacks of cardboard boxes, all labeled “Fragile” and some “Top Secret.” Every few yards, mounted about nine feet up the grey, featureless wall, were inoperative, bulb-less light fixtures, and just below these, small silver disks resembling smoke detectors. The room was cold—clearly, Lurge had not been any more willing to pay for heat than he had for light—and the total absence of the reassuring white noise found in almost all buildings made it feel even more remote and empty. 

Eventually, the narrow cone of Sandra’s flashlight fell upon something that made all three stop at once, and Charlie yelped with a noise halfway between terror and excitement as he crashed into Venus’ back. She pushed him away, and all three stared at the thing before them.

It was huge, at least 7 feet in height, and in the general build of its frame, resembled a massive ape. This was by design; it was meant to instill fear by conjuring the genetic memories of great menacing beasts. But where an ape would have had curved muscle, soft flesh, and fur, this figure was outfitted with sharp, angular points of metal—one arm terminating in a long cylinder pockmarked with holes, and the opposite limb in a serrated blade nearly two feet long. Its blocky legs were bent as if it were poised to spring upon its prey, and on its shoulders sat what, by analogy to organic bipeds, might be called its head; a silvery metal cube, covered with thin wire mesh. This appendage was small in comparison to the rest of the armored monster, and if the rest of the figure were not so manifestly intimidating, might have appeared comical.

“Wow, a genuine combat infantry bot,” Venus whispered. 

“More like fifty genuine combat infantry bots,” Sandra said, shining her light behind the figure, revealing more identical forms assembled behind it, in a long, perfectly-spaced line; soldiers standing eternal guard at their posts.

“Technically, these are assault bots,” Charlie with some self-importance. “The way you can tell is that they have more armor in the chest and shoulder areas than a standard infantry bot. These are for storming fortified positions, whereas the typical infantry bot—”

Venus and Sandra simultaneously glared at Charlie in a way that clearly communicated to him that further details regarding the different attributes and uses of war robots were not required at this time.

“Is this where you found Lurge?” 

“Er, yeah; just about. He was…” Charlie looked at the floor and held up his hands as if to measure, pointing to a spot some three yards from the clawed feet of the first robot in line. “…right about here. Well, mostly. Part of him was here. And there.” He indicated an open area a few yards away. “And some more over there.”

“So, you’re quite sure the robots did it, then?” Venus asked.

Charlie shook his head. “Well, maybe the robots pulled the trigger. But there’s no way they shoulda been on! These things are deactivated—they’re just here for tourists to see.”

“Do they have an energy source?” Venus asked.

“Well, yeah; I mean, there’s a power core in ‘em for demos. But they should never open fire. At most they’d just stomp around a little and look threatening. But that’s only if someone went to the main office and manually activated ‘em.” Charlie could tell he had their attention, and he intended to keep it as long as he could. “There’s this whole security protocol the bots have to go through—they have a voice-controlled activation system. There’s a series of questions the bots ask whoever activated ‘em.”

“So, they have voice recognition capability?” Venus asked.

Charlie nodded. “Yup. Voice samples of all key Lurge personnel on file.” There was a very long pause, and Sandra and Venus exchanged a glance. Then both of them looked at Charlie.

“Chief of Security would be key personnel, huh?” said Sandra quietly.

close to perfectThis book is a transcript of a discussion hosted by indie author Kevin Brennan with Karen Choi and Dan DeLonge. Before you go off to search on those latter two names; they are pseudonyms. Both of them are successful authors, and because they are speaking frankly about the industry in this discussion, they are not using their real names.

In a way, this is too bad, because I really wanted to read their books after reading this discussion. But, it’s good that they were able to voice their honest opinions.

The discussion covers every aspect of the writing process, from inspiration, to getting the first draft down, to editing, to publication and marketing. Every writer will instantly relate to the points they make in here, and it’s well-worth reading for anybody interested in the craft of writing.

I won’t go into too much detail about what they say on each subject–the whole point of the book is to read the opinions of three writers on these topics, and it would be a disservice to paraphrase them too much. All I’ll say is that this book is a perfect illustration of one of the best things about writing: the community. Writing may be a solitary activity, but even we writers enjoy hearing the thoughts of others who know what it’s like to dream up a whole story and commit it to the page. This is a great way to do exactly that.

TLRFA-5They rode in silence out of Gelunbu and onto the outer beltway. The sun was sinking low in the sky, and the clouds gathering on the horizon were deep blue against the blazing orange of the autumn light. As the towers of the city receded into the distance, they found themselves racing into a multicolored world of the splendid autumn leaves, punctuated at intervals by signs indicating off ramps, and occasional neon advertars—huge, semi-transparent three-dimensional figures, drawing glowing letters in the air with messages like, “Hughes’s Groovy House of Hovercars: Lease A New Myra With No Money Down”  and “A New Age Dawns: Buy From Katie’s Acrylics Now!”

Finally, Venus broke the silence: “You know, I told you my background, but I didn’t ask yours. How did you come to be here?”

Sandra kept her eyes on the road. “I was a cop. Then I quit and started doing this.”

There was a pause, until Venus realized she wasn’t going to continue. “So… any family?”

“I have a brother lives outta state. Haven’t seen him in years. He’s some kind of manager at a rocket lab, I think.”

“No boyfriend? Girlfriend? Cat? Dog?”

“Look,” said Sandra, finally jerking her head around to look at Venus. “I’m not lookin’ to be buddies, okay? For some reason, Max brought you aboard. I don’t know why, he didn’t ask me, and I don’t like it. I’ll work with you, ‘cause that’s what he pays me for, but—”

Venus interrupted. “Look—it’s a long story; we probably don’t have time for it right now. But I’m not replacing you, not at all. Max had to hire me for a very specific reason, and it’s not about you. Well, I guess it is kind of about you, in that Max won’t shut up about how awesome you are, and that I could learn a lot from you.”

Sandra was more than a little taken aback by this, and was tempted to ask her to say more, but at that moment, the Exit sign for “Lurge Robotics” appeared, and the car veered onto the off-ramp, and the huge exhaust towers of the factory loomed up over the trees like a battery of cannons, surrounding a huge cooling tower with the single word “LURGE” across it in fifteen-foot-tall letters.

The two women wound their way down the narrow road that ran behind the sprawling complex, gazing across the open field that separated the road from the chain-link fence at the edge of the factory yard. In the light of the setting sun, the orange glint in the windows of the long, rusty-red buildings made the old plant seem as though it had sprung into action again, once more forging armies like those that had waged the Great Robot War of ’57. 

But only for a moment. Then the angle changed and the reflection vanished, and the sprawling industrial campus appeared once more as it really was—dead and desolate.

The hatchback pulled up to the front gate, which lifted automatically and allowed them to enter.

“This certainly looks inviting,” Sandra muttered as they pulled to a stop and the car settled to the ground. They climbed out of the vehicle and walked across the eerily empty asphalt of the parking lot, the chilly breeze whooshing against them as they went. Sandra pulled her red leather blazer tighter, her hand brushing the strap of her shoulder holster as she did so. She stopped abruptly and turned to Venus, who was clad only in a dress slacks and a thin grey sweater.

“You got a gun?” Sandra asked.

“No, I don’t.” 

Sandra sighed impatiently. “Ugh; well, you better get one soon. Get yourself a JEK-17; there’s nothin’ else like it. It’s heavy, but it packs a punch.” She patted the holster under her jacket.

“I’m sure you can cover me if it comes to that,” said Venus, her mouth twitching a bit. “Besides, are you really expecting to get in a shoot-out here?”

Sandra shook her head. “I dunno what kinda training they gave you in the FES, but I don’t want to argue about it now; it’s freezing out here.” 

They walked briskly to the nearest building, the only one that was lit. An electric glow illuminated a sign that read “Visitor Check-In” There was a wheezy chime as the door slid open, and they entered a dimly-lit waiting room. At the desk was seated a skinny young man of about twenty, wearing an ill-fitting uniform, with a police-style hat perched backwards on his head. He had been engrossed in something on  a small tablet device, but glanced up and set it aside on hearing them enter. 

“Geez!” he said, standing up and straightening his dark green tie. “I mean—whoa!” He stared at them wide-eyed, mouth curving into a smirk.

“Hello,” said Venus, extending a hand. 

There was a pause of a few seconds before the dazed guard reciprocated the gesture. 

“I’m Venus Miles, and this is Sandra Darcy. We’re private investigators.”

“And our eyes are up here,” Sandra said sharply, keeping her own hands at her sides.

“Sure thing,” the young man said, blinking and re-focusing his gaze slowly, “Charlie Bradler, chief of overnight security for Lurge Robotics.” He paused as if to divulge something significant.  “Keepin’ it going all night long.”

Sandra fought the urge to roll her eyes.  She continued evenly, “You were on duty the night of October 1 of this year?”

 “Uh, yeah; I was. Manning ‘Control Central’ as usual.”

“You discovered Mr. Lurge’s remains?”

“Sure did.”

“Walk us through your exact routine, please.”

“Well, um, I came in 7PM, checked out everything, activated the security system, and then took up my position.”

“How does the security system work?”

Bradler shrugged. “Dunno  exactly; she’s a state-of-the-art, proprietary system.” He jerked his head in the direction of a rather old-fashioned panel on the wall behind his desk. “I just enter codes into that panel to turn it on every night. Mr. Lurge said activating those motion sensors was the most important part of the job; he had the whole thing installed special, and he told me it was my responsibility to keep it running.”

“Do you ever patrol the premises? Check things out?”

He smirked. “Oh, yeah; I check things out, that’s for sure.”

Sandra rolled her eyes again. “Just answer the question.”

“Every couple of hours yeah; I go on my rounds, sure. That’s what I was doing when I found him.”

“But you had no idea he was in the factory prior to finding his remains?”

The young man fidgeted with his clip-on tie. “Right… I… um… heard noises… but I didn’t… I figured I should keep monitoring from The Bridge.”

Sandra’s gaze hardened.

“You’re the night watchman. You heard strange noises, and you didn’t investigate?”

He looked down furtively for an instant, then tried to resume his previous cocky manner.

“Old Man Lurge told me about some stuff that might go down here.  Gave me a real good handle on what needs to be looked into, and what needs to be let alone.”

Sandra continued to stare him down. “What kind of a guard are you?”

“You don’t understand!” He blurted out. “The factory is haunted! There have always been weird noises at night, and it’s not from anything alive or natural. It freaks me out, and I keep away.”

Sandra shook her head. “Seriously, kid?” 

“It’s true!” he insisted. “You must have heard the stories—you know, they play it up like it’s all fun and games for the little kids, but this place is weird! Old Man Lurge knew; he told me about it, too. When he hired me, he said ‘Son, there’s stuff in there I don’t understand. You’ll hear it late at night sometimes. You just leave it alone.’ And that’s what I was doing,” he finished in a rush.

Sandra’s eyes darted to Venus, who was trying to suppress a smile.

“Okay,” Sandra said after a moment. “But you did eventually go onto the factory floor, right?”

“Sure, I’m supposed to poke my head in the door of the factory and shine a light around. So that night, around 3AM, I did that. And…”

Sandra cut him off.  “You made your first rounds eight hours after your shift started?’

Bradler shrugged.  “I was busy.”

After a moment or two, when no further explanation was offered, Sandra sighed. “Can you show us the exact place?” Sandra asked, “We need to inspect the scene of the incident.”

He gulped, then recovered some of his earlier bravado.  “Definitely!  But you know, I probably shouldn’t leave the Main Entrance unguarded for that long. You ladies are professionals,” he smirked, “and I’m sure I can trust you on your own.  I can monitor your movements from here.” He gestured grandly towards a row of security camera displays, only one of which seemed to be functional.

“But, Charlie, we need you to show us the exact spot.  We’d never find it on our own,” insisted Venus.

“What—now?” 

“‘He who hesitates is lost.’”

“Look,” he said, glancing nervously towards the long corridor behind him, barely lit by a single bulb hanging by a wire from the high ceiling. “It’s super freaky back there. Can’t we go some other time—when it’s sunny?”

“No,” said Sandra, walking past him and starting down the hall. “Unlock this door and take us back there.  You don’t want us telling Mrs. Lurge you’re holding up our investigation.”

The young man looked around wildly, first at Venus, then back at Sandra, then down at his desk, then back to Venus again, as if hoping some solution would become apparent. But he soon realized nothing would dissuade Sandra and scurried down the hall after her, till finally they reached the huge metal door at the back. He approached a small console beside the door and with trembling fingers, swiped a card and entered a passcode while Sandra watched, arms folded, foot tapping the floor impatiently.

“There you go,” he said, after finally managing to enter the code correctly. Within seconds, the thick walls, gears growled and groaned with motion, and the metal slab began to slowly rise.

“Thank you,” said Sandra. “That wasn’t so bad was it? Now how’s about you show us just where you found Mr. Lurge?”

Even in the gloom of the dark hallway, it was clear that the color was draining from his face. “You want me to go in there?”

“You ask too many questions,” Sandra said. “Yes, come in and show us where you found him. It can’t be that bad in here; after all, you came in the night you found him.”

“That was… different,” he muttered.

“How so?” asked Venus, who had come down the hall behind him, and whose sudden arrival beside him caused him to whirl about. 

“Oh, it’s only you,” he said, clutching his chest in relief. “Titan, was it?”

“Venus,” she corrected primly.

“Oops… wrong heavenly body.” This line he accompanied with a feeble attempt at his swaggering manner, though it looked more like the grimace of someone shivering in the cold. Sandra snorted theatrically, but Venus acted as though she hadn’t heard him at all.

“Now, come on, tell us what was different that night that made you go into the factory.” 

Bradler seized this opportunity to both delay and explain himself, and began:

“Here’s the lowdown: there are different ghosts around here, and you get to know which ones are acting up on a certain night. Some nights, you’ve got Samuel in the factory. He was an old line manager back in the day. They say he pitched over the side onto the factory floor one day when they were in full production. The emergency breaker kicked in too late, and he… he was crushed by one of the bots. And ever since, his ghost comes round here, rattlin’ the equipment and crying out in anger.”

Sandra said nothing—it was clear that Charlie was one of those witnesses that you had to let tell a story their own way—but she rubbed her temples and began to rifle through her purse for some aspirin.

“…there’s a couple other minor ghosts, too; like the woman in white who lives in the accounting department. She’s the widow of a line-worker who died during Mr. Lurge Sr.’s time. But,” he added, sensing he should come to the point. “The worst of all is the thing we call. . . ‘the Eidolon.’”

He said this peculiar word  with an air of great self-importance, and looked at them, clearly expecting a reaction.

“What’s that?” Venus asked.

”The Eidolon,” Charlie repeated, glancing furtively around, “Is the most horrible, dreadful, scariest, most absolutely evil thing in the whole world.”

A low, ominous rumble from somewhere above them lent weight to the young man’s words.

Cruise shipI’ve never been on a cruise. I probably never will now–I was a germaphobe even before the pandemic hit, and I’m guessing the industry won’t be as popular for the foreseeable future. But for some reason, I’ve always liked stories set aboard ships, and reading this book was a perfect way to take an imaginary cruise in the British Isles.

Sheila and Shane McShane, a couple in their mid-eighties, are worried for their daughter, Shanna, who has gone missing during a cruise. When the cruise ship line and the security forces in her last known stop are unable to locate her, the couple take it upon themselves to find her, retracing their daughter’s steps along the same cruise ship, The Celestial of the Seas.

The couple makes an absolutely wonderful pair of protagonists. Sheila is a gregarious, intuitive person, with a natural gift for reading people. She has a sort of sixth sense for a person’s “aura,” and this more than once helps her figure out people’s motives.

Shane meanwhile is a cool, logical type. An organized and precise engineer who likes everything to run like a well-oiled machine. My kind of guy. Together, they make a perfect match, and the way their skills complement each other, not to mention their easy and obvious affection, makes every step of their adventure a real treat to read.

The book is charmingly funny. One early exchange with a waiter on the ship made me laugh out loud. There are plenty of entertaining crew members and passengers aboard, from the good-hearted and unfairly mis-treated Raoul to the puckish amateur magician, Carson Quick.

Eventually, Sheila and Shane piece together what happened to their daughter, and in so doing are drawn into quite a tangle of sinister events. While the tone of the story is light for the most part, towards the end, there are some moments of legitimate tension. It’s not  ultra-gritty in the way that, say, a Carrie Rubin novel is, but it still felt high-stakes all the same.

In a note at the end, the author mentions that inspiration from the book came from a real-life family cruise. It’s easy to see–the descriptions of the ship, and locales they visit, from Dublin to Ghent, are rendered in great detail, so much so that I felt like I was there, whether “there” was the extravagant ship’s dining room or the gloomy dungeon at Blarney Castle.

This is a really fun mystery, filled with plenty of humor and some fantastic settings. I don’t know if the author is planning to do any more, but I know I’d cheerfully read another Sheila and Shane story.

Hart for AdventureBack in May, I wrote about Vogel’s Scout’s Honor, the first in his sword-and-planet Scout series. Hart for Adventure is a prequel to that series, and it fits in well. It follows Terran scout Gavin Hart, who crash lands on a world that appears deserted, finding only the overgrown ruins of an alien city.

Hart soon finds his way to a mysterious chamber where he is knocked unconscious and reawakens to find the planet around him teeming with life—not all of it friendly, as he soon discovers when he clashes with a marauding warlord and his hordes.

Hart, with his superior technology, quickly gains some allies, who see him as almost God-like. However, even these advantages, survival is no sure thing, especially once Hart uncovers the mind-bending and (not to give away too much) time-bending nature of the peril he faces.

The prose is crisp and the plot is fast-paced. There isn’t too much description—I would have liked a bit more—but there was enough to get an idea of the world where Hart’s swashbuckling adventures take place. 

If you’ve already read some of Vogel’s other Scout books, you’ll have a feel for this: daring good guys, evil bad guys, lots of sword fights and other Edgar Rice Burroughs-esque escapades. Like the other books in the series, it’s an unashamed throwback to that style of fun-loving old-fashioned adventure story. Don’t go in expecting deep, intricate world-building or characters—this is light, breezy reading that makes for perfect sci-fi/fantasy escapism.

This book was shorter than Scout’s Honor—more a sketch than the fully-realized world—but it works well as a prequel to the main series. If you haven’t read the other Scout books, this is a fine introduction to the series. And if you have read them and want more sword-and-planet adventures, this is a perfect way to get your fix.

[NOTE: This review is based on ARC of the book, received from the author.]

TLRFA-4

 

The McIntyre building’s lobby featured a polished faux-marble floor and glossy orange-gold walls ornamented by large, brightly-colored abstract paintings. But while the designs were loud, the lobby itself was quiet, the reception desk empty save for a lone lava lamp. The absence of a chair suggested the vacancy was permanent. The only sounds was the unnerving click of the two detectives’ heels as they walked towards the doors of the magnetic multivator.

“I expected it would be busier,” Venus muttered as the polished door slid open and they entered.

Sandra said nothing. She was mulling over what she would say to McIntyre. One by one, she watched as the numbered lights blinked on and off as they ascended. Finally, they reached the 17th floor and stepped out into a long hallway of deep purplish red. There were no decorative art pieces here, only a series of oil paintings of the McIntyres of yesteryear. Stern men in dark suits, glaring darkly at all who passed by en route to the office of their descendant at the end of the hall. 

The door was open, and Mr. Tobias McIntyre was seated at a large wooden desk, his hands folded neatly in front of him. He was a tall, aristocratic-looking man, with short salt-and-pepper hair and a darker goatee. He wore a pale yellow suit, with a burgundy dress shirt and matching tie. In a chair beside his desk was seated a young woman with short, dark hair, and a pleasant smile, dressed in a teal blouse and skirt.

“Ah, you must be the reporters,” said McIntyre, rising to shake hands. “What a pleasure, what a pleasure.”

After introductions, during which they learned the young woman was Suzanne, his administrative assistant and operations manager, Sandra started off with her questions while Venus took notes.

“What is the number one challenge facing McIntyre’s Mechanicals today?”

“Well, I don’t think of it as a challenge; I think of it as an opportunity, but it’s the same thing it’s been for the last few decades: how to re-position ourselves to continue thriving in a world where military mechanicals are no longer produced. There are lots of opportunities, in fact—civilian uses for mechanicals are being considered at all times, and I’m confident that with our resources, we’re set up well to take advantage.”

“I see. Is there a lot of investment in that area?”

“Ah, there’s a fine question! Well, now, that’s true—getting the necessary capital to start up robot factories has proven a trifle difficult. That said, I’m quite certain we can. After all, unlike some competitors, we are not carnival barkers turning our facilities into venues for dog-and-pony shows. I won’t name any names,” he said with a sly smile.

“Speaking of others in the robotics business… I’m sure you heard about the tragedy at Lurge Robotics.”

“Terrible, yes. My condolences to the family. A great loss for the robot manufacturing, ah, community,” he said, the smile not leaving his face.

“Did you know Mr. Lurge well”

“Only from business connections.  In fact, I bumped into him at a ChamComm meeting just last week; he was more talkative than he had been in quite some time.” He made a strange, guttural noise.  “Come to think of it, he told me he was looking forward to ‘the best October in years”.” McIntyre tried, and failed, to keep the slight twist of a smile from his lips as he said soberly, “Ironic, in light of the subsequent tragedy.”

“Is safety a particular challenge for a de-commissioned facility?”

McIntyre leaned back in his chair, eyebrows raised in surprise. “Well now, really, ma’am; surely that’s a question better put to the Lurge company. All I can say is that such an accident would be unthinkable at a McIntyre property. We have not a single accident to our name in a long time—not since the Great Robot War of ’57 was at its peak! I can’t speak to the track record of any of our competitors, but. . .” he grinned again. “Can I tell you something off the record?”

Sandra and Venus exchanged a glance. “Sure,” said Sandra.

“This doesn’t leave this room, understand? Good. Then let me just say, any company that tries to profit off of ghost stories on its grounds must not have a very strong track record with safety, you take?”

He chuckled, as did Suzanne. Sandra and Venus nodded politely.

“You mentioned civilian applications of your technology—can you elaborate on that?” Sandra asked.

“The government’s restrictions on the use of robotics technology are very strict,” Venus put in, and then immediately looked abashed at the gaze Sandra shot in her direction.

“Uh, well, yes—of course. That’s-that’s definitely something we consider. I, uh, probably shouldn’t say too much more, actually, other than that there are a lot of exciting things in the pipeline.”

“I see,” Sandra nodded. “So, would you say our readers can look forward to big things from McIntyre’s Mechanicals in the near future?”

“Absolutely! That’s just what I’d tell ‘em. You got it.” He said, with an encouraging fist pump. “Now, uh, I’d love to continue this but I have another appointment coming up. Remind me, Suzanne—what is it again?”

“You have a conference call with prospective clients about bulk orders at 3:30,” she said smartly. 

“Ah, yes, that’s it. Well, it’s been lovely talking to you ladies—do come by again sometime.”

“Actually, I had one more question, Mr. McIntyre. It’s quick,” said Sandra, smiling prettily.

“Oh, well; if it’s quick, how can I say no?”

“I just was wondering how many workers McIntyre’s Mechanicals employs?”

“Um—” he said, biting his lip, but Suzanne quickly interjected, “We employ so many seasonal and temporary workers that it’s hard to give an exact figure. It can depend on the day. However, I can assure you that recent estimates show we contribute millions annually to Gelunbu’s GDP.” She smiled pleasantly, but in a way that said not to ask any more questions.

“Perfect!” said Sandra brightly. “Again, thank you for your time.” She and Venus bade both farewell and returned to the multivator. Once inside, Sandra pressed the button for the lobby level — and for four or five floors in between.

Venus arched her brows quizzically. Sandra just smiled, took some lip gloss from her purse and lightly applied it to her mouth, and waited for the doors to open to floor 14. When they did, the two women looked out at row upon row of empty cubicles. 

At last, after checking a few more floors, each with similar results, they exited the building and walked back towards Sandra’s orange hatchback. 

Sandra laughed, and Venus shook her head. “I don’t think they have any other employees at that company. They have Mr. McIntyre as founder and CEO, and Suzanne is his secretary. They probably make money solely by filing copyright lawsuits on various designs and technologies.”

“ I’ll bet you’re right.  And it was a stroke of genius to check that out. But that still doesn’t help us with the whole did-they-kill-Mr.-Lurge question,” said Venus.

“Indeed it doesn’t,” Max concurred over the speaker in the dashboard.

“Do you have to do that?” Sandra grumbled.

“Don’t you relish hearing my dulcet tones, Sandy?”

Sandy ignored this and powered up the hatchback.

“So, what’s our next stop, Boss?,” Sandra asked.  “The factory, right?” 

“Bingo!” said Max. “I knew you’d feel that way, so I called ahead. The place is closed down of course, but the night watchman on duty the night of Mr. Lurge’s demise will be there. Talk to him.  Check out his alibi. Get an little details that might not have made their way to the police report.  You know — work your magic, Sandra.”

 Venus shook her head.  “You two work so much faster than we did at the FES!”

Sandra answered at once. “Too much for ya? Want me to drop you off and take care of this on my own?”

“No, no; not at all. I love it. Beats all the paperwork and approvals I’m used to.”

“Oh,” said Sandra, feeling rather put out. 

“You see?” Max intoned cheerfully. “You two make a great team!”

Fan Plan Meteor2020 is a perfect year to read this book. Lately, we’ve been getting a practical demonstration of Murphy’s Law in action, as well as the importance of preparing for a major disaster, and Fan Plan is an alternative history of just such a disaster: a meteor strikes the Yellowstone Caldera, setting in motion a chain reaction with the potential to create a super-volcano that will destroy life on earth.

Computers at the TransGlobal Oil corporation project the catastrophic results, and so the family that owns the company begins making preparations to allow their descendants to survive the coming apocalypse with some chance of rebuilding civilization.

The book then flashes back in time to tell the history of TGO. This is a tale of money, oil, family drama, the cynical machinations of wealthy western society, and sex. Shades of Dallas. Through it all, TGO gradually grows until it finally has the resources to prepare for the apocalypse. The family raises each generation to be prepared for the day when they inherit the responsibility of executing the “Fan Plan”–so named because it’s a plan for when “it” hits the fan, as the saying goes.

The latter stages of the book involve the latest generation of heirs to TGO becoming educated on the history of how societies rise and fall. The central theme of their education revolves around religion, and its ability to inspire and unite as well as to suffocate and destroy, depending how it is handled. Some readers might find these chapters a bit long-winded or preachy, too heavy on lecturing about history. I say this because I know every reader has their own tastes, but personally, as a huge fan of reading about cycles of civilizational collapse and rebirth, I enjoyed these sections quite a bit. And I learned some things too, so if you’re of a mind to study up on how nations fall apart, you could do worse than reading this.

There were a few technical issues with typos and formatting, but the new 2020 edition is much tidier than the 2013 original. (Again, this is one thing that’s great about eBooks!) The book reads in a smooth, conversational way–I could imagine that I myself was sitting around a campfire, listening to Hank, the character who holds forth in the later sections, educating his charges on history and philosophy. In fact, I listened to some portions of this book using my computer’s speech function, and it worked quite well.

Meteor Strike is the first book in the Fan Plan trilogy. They are available separately, but I read it as part of a collection that includes all three books.

TLRFA-3

Max cleared his throat. “Well, I suppose this is as good an opportunity as any for turning it over to you, Mrs. Lurge. Can you tell us why you’re so sure  Mr. McIntyre had a hand in your husband’s death?”

“Why, the McIntyres have been rivals with the Lurges since the beginning! You know—everyone knows. This city has been the home of the robotics industry ever since the war. The Lurge family was first of course,” she said firmly.

“Of course,” said Max.

“—but the McIntyres have always been nipping at our heels. You know, they say that even at the height of the war in ’57, the McIntyres were sending spies in to steal our designs.”

“Surely all that’s behind you now,” said Max hastily. “The Robot Wars are history—military robotics have been banned.”

“Oh, sure,” said the widow sarcastically, “but, well… R&D doesn’t just stop.  Prototypes don’t just disappear. The government may have outlawed military robotics research officially, but we’re still a key part of industry, and the McIntyres are just green with envy about it.”

There was a long pause. Venus glanced at Sandra, hoping for a cue as to how to reply.

“As I understand it, most of the Lurge revenue these days comes from tourists and historians interested in the old family plant,” said Max finally.

She gave a most un-lady-like snort. “Only because the McIntyres hired out-of-state lawyers who could find them ways to leech up IRRP funding, forcing us to do something to stay in the game,” she spat. She paused a moment, trying to restore her demure manner.  “But yes, it so happens that we have been able to carve a very lucrative niche for ourselves as a number one attraction for visitors to Gelunbu.”

“It certainly is,” Venus jumped in seeming eager for the diversion, “Uh,  I saw a fascinating piece on it from the ChamCom just the other day.  It’s hard to miss the holoverts on the bypass, especially this time of year.”

Mrs. Lurge gave a small but warm smile towards Venus. “Thank you, dear. Our Haunt-omaton tour gets more popular every year. We’re very proud of it, and what it means to the community.”

“Hold on,” said Sandra. “What is this now?”

Mrs. Lurge turned to her with an air of disapproval. “The annual Lurge factory Haunt-omaton tour and Robo-ghost Factory attracts tens of thousands of visitors every year,” she said coldly, “Not to mention all the paranormal historians who come to investigate.”

“Oh… well, good,” said Sandra.

“It’s been an excellent source of revenue for the company since the government outlawed their original raison d’être after the war,” said Max, and, as if sensing Mrs. Lurge’s icy glare, added hastily, “And the tour provides a wonderful night of thrills and chills for young and old alike.”

He sounds like he’s reading off a brochure, Sandra smirked inwardly. Still, she marveled at Max’s ability to be so fast on his feet and to come up with these tidbits of trivia . 

Mrs. Lurge seemed as though she might continue on this tangent, so Sandra gently nudged her back on topic.

“And the McIntyre outfit… they’ve got nothing like this tour, I take it?”

“No,” the older woman sniffed. “They lack our vision.  As does the state bureaucracy. Don’t get me started on the government. They’ve been trying to buy out the factory from us every other day. But that’s not the key issue here.”

Mrs. Lurge leaned in closer, almost conspiratorially: “Do you know, Lothar has been convinced that McIntyre and his goons have been sabotaging our factory for years? It started as simple vandalism, or stolen goods. But lately it’s been escalating—missing components from the displays, pipes breaking, electricity flickering on and off at random times.”

“Why would McIntyre do that? Seems like a good way to get his keister charged with corporate espionage,” asked Sandra.

Mrs. Lurge pursed her lips. “There are many reasons: first and foremost, jealousy. But more than that, as I said, the state wants to buy us out. Don’t you see: McIntyre would love nothing more than to see us crushed by those do-nothing bureaucrats. So he was trying to make it impossible for us to operate.”

“Do you have any, ah, hard evidence of this, Mrs. Lurge?” asked Max.

She shot a stern look at the base station. “I have Lothar’s word.”

“Yes, well… I’m afraid that wouldn’t hold up in a court of law.”

“That’s why I’m hiring you people,” she snapped, rising from her seat abruptly. “Do some digging! McIntyre’s been working every angle he can since he took over from his father.  I’m sure you’ll find out plenty about what he’s been doing—and I’m sure you’ll find it includes complicity in the murder of my husband. She narrowed her gaze in the direction of the comm unit.  “As we discussed, I’m prepared to pay whatever it takes to make this happen.”

“We’ll do everything we can, Mrs. Lurge,” Venus assured her.

“Good. I suggest you start by questioning McIntyre. I’m sure that snake will crack under the pressure.” she picked up her bag and turned towards the door. “I will let you get to work. Good day.”

And with that, she strode out of the office.

Venus and Sandra exchanged surprised looks. 

“She sure is hung up on the McIntyre angle, isn’t she?” said Venus.

“She is indeed,” Max agreed. “Probably unreasonably, if I do say so myself. Still, there may be something to it.  There’s obviously no love lost between the families. I’ll be interested in your impressions of the man.”

“What can you tell us about him? If we’re going to talk to him, we’ll need a plan of attack.”

“Well, my sources indicate he’s always eager to do press pieces in order to keep his company’s name in the news, he’s on the point of concluding a very lucrative deal with the Department of Defense, his office is on the 20th floor of the McIntyre building, and you ladies have an appointment scheduled with him at 3PM tomorrow, your cover story being that you’re reporters for Gelunbu Business Magazine.”

Venus looked at Sandra in amazement. Sandra responded with a knowing smile. “He does that. You’ll get used to it.”

“How…?” Venus asked.

Max added with a wry, false-modest chuckle, “I have to wear a lot of hats at once, but I try cover all the angles. Consider that the compensation for my not being able to join in person. Although many women would say seeing my chiseled visage would be well worth sacrificing my many other talents.”

“Well, thank you very much,” said Venus, while Sandra rolled her eyes. 

A Feast for SightThis is a short story set in Painter’s world of Osteria. Osteria is a sort of post-apocalyptic setting in which many of the Ancient Greek and Roman traditions and beliefs have been revived.

A Feast for Sight is a story that fits this setting well. It deals with three oracles, who tell their clients the future–for a price. What the price is, I won’t describe, but the sensitive reader should be warned that it is quite macabre; and increasingly so as the story unfolds. I have only a little knowledge of Greek drama, but this seems entirely in line with the usual tone of the classic stories. The Greek tragedies are full of gruesome and unsettling elements, and this story is full of the same.

It’s also rather funny, in a very dark way, obviously. Fans of twisted humor will certainly enjoy the ironic ending. It has a very Ambrose Bierce-esque approach to humor in that regard.

The book is available for free through Painter’s website by subscribing to her newsletter. It certainly is effective as a promotional device, because after reading it, I was quite eager to learn more about the world of Osteria. And as a rule, I am not someone who enjoys stories as dark as this, but I have to give credit where due–the premise is interesting enough that it made me want to read more. A Feast for Sight probably won’t be for everyone, but for those who enjoy classic literature and dark humor, it will be a treat.