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Zachary Shatzer recommended this book to me. He called it the funniest book he’s ever read. Well, when the author of some of the most gut-bustingly laugh-out-loud funny books around says something like that, you pay attention, no? So naturally, I had to get myself a copy.

It lived up to Shatzer’s billing. Indeed, the style of humor is much the same as his, though maybe a bit darker and raunchier, skewing more towards a hard PG-13. Still the dominant feeling is one of utter absurdity. Begin with the title: “the stench of Honolulu”. Since when does Honolulu have a stench? Well, in this book, Honolulu is depicted as a horrible place, decrepit and filthy.

Of course, the narrator is far from reliable. A strange, cowardly, narcissistic and paranoid individual, he is forced to accompany his “friend”–using the term loosely–on a quest to find a golden monkey statue said to be in the Hawaiian islands.

The book continues in this vein, with each escapade more bizarre than the last, including recurring violent yet inexplicably non-lethal encounters with a scientist who our narrator decides is evil. This is one of many running gags that just get funnier as the story goes on.

I could go on and on describing all the madcap episodes that form the bizarre journey, but honestly, you’re better off just reading the book. The hardest thing about reviewing a comedy, I find, is that it’s really impossible to explain why something is funny. You either get it or you don’t. Some people won’t get this, either, and that’s okay. But those who do get it are in for a zany and weird and hilarious ride. I’m very grateful to Mr. Shatzer for the recommendation.

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The Matrioshka Divide is a throwback to the Golden Age of science fiction, in the tradition of Heinlein and Asimov, where advanced spacefaring technology is used to explore political and philosophical ideas.

The main character is Samir Singh, a retired starship captain known as “the Butcher of Three Systems” for his actions during war. He is persuaded to come out of retirement to serve as captain on a vessel tracking down a signal from a derelict ship on the edge of galaxy. Captain Singh reluctantly accepts the mission, seeing it as a chance to redeem himself for his past.

As it happens, the old war veteran on a quest for redemption is one of my favorite sci-fi tropes, mostly because it is the main theme of my beloved KotOR II, and so I immediately became interested in Singh.

Then there is Erika Terese, the arrogant scientist convinced that her models tell her everything about how the universe works, and how to respond even to encountering new forms of intelligence. She believes everything can be measured, quantified, and understood with mathematical precision. She and the religious Captain Singh clash frequently.

Then there is Miles Kieth, the cynical pilot, who couldn’t care less about politics or religion, and is just out for his own sake. Or is he? Naturally, there ends up being more to the man than meets the eye.

And then we have Amos Singh, a descendant of Captain Singh (prolonged lifetimes allow for more distant relatives to survive contemporaneously with their ancestors), who wants to succeed to clear the family name and right the wrongs committed by the man who commands him.

Finally, there is Glen Tannis, the Machiavellian operative of the Free Exchange, the powerful shadow government that controls and manipulates all of human society. I love sinister organizations like this, reminiscent of the Bene Gesserit in Dune or the Timermen in Fitzpatrick’s War.

The book takes this cast of characters and throws them into an extreme situation, encountering incomprehensible aliens on the edge of the galaxy. But the aliens are really just there as a catalyst for the different characters to spar over their philosophical differences.

The concept of a crew on an isolated ship, in high-pressure situations and all distrustful of one another, is another trope that I love. It reminded me of Frank Herbert’s The Dragon in the Sea.  The characters clash repeatedly over their moral and philosophical beliefs, with allegiances changing frequently as their circumstances become more dire.

That said, I don’t mean to suggest the conflicts are purely philosophical. This is sci-fi after all, so there are plenty of space battles and shootouts too. The balance of spacefaring adventure and intellectual exercise that is one of the hallmarks of classic sci-fi is here.

The simplest way I can put it is, if you enjoyed my book The Directorate, with its blend of space battles and political machinations, you’ll probably enjoy this one as well. I could say more about the plot and the ending, but given that this book is relatively new, I don’t want to spoil anything for those encountering it for the first time. Sci-fi fans should definitely give it a try.

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This is an amazing book, I’ll just say it right up front. It’s a clever blend; part fable, part post-apocalypse, part fantasy, it tells the story of Anastasia, a rabbit who is un-warrened–that is exiled from her home–and left to be “Glorified” by the “Blessed Ones”. Which is the way the rabbit religion describes being killed by predators. The rabbit religion is a pacifistic one, which views a rabbit’s purpose in the world as food for larger animals.

But Anastasia decides to fight back. After a chance encounter with a fox ends with her stabbing it with a sharp stick, she realizes that perhaps rabbits need not be helpless prey animals. And as her legend begins to grow, more rabbits, mice, and other animals flock to her side, slowly building a coalition that fights back against the foxes, coyotes, and wolves.

The world-building is phenomenal. The reason why there are no humans in this world is explained gradually, through little hints glimpsed once in a while through the eyes of animals. The rabbits study the writings of the “Dead Gods,” as a way of understanding the world, largely through scholars known as Readers and Rememberers. They also interpret the meaning of the rabbit scriptures, which include the word of the supreme being “Dah,” and indeed, one part of the plot hinges on the interpretation of a particular passage.

This is what I loved best about the book: the philosophical issues it explores. Nature vs. technology, the right of self-defense, and the ethics of killing are all explored in great detail here, and don’t think for a moment that because the characters are woodland creatures the philosophy loses any of its punch. In the grand tradition of Aesop, St. John has used non-human characters to explore big questions of meaning and morality.

But at the same time, the characters never feel like mere puppets. They are all carefully crafted and engaging. I especially enjoyed Wendy, the floppy-eared and savage rabbit heretic, and Bricabrac, the cunning rat who helps the bunnies forge their arsenal.

I know, some of you are like, “A book about talking animals? Heck no!” But… I encourage you to give it a chance. As of this writing, it’s free, so you’ve got nothing to lose. And what awaits you is a book that makes you think about old ideas in new ways.

Finally, I rarely do this, but I’m just gonna say it: I got this book after I saw an ad on Goodreads and thought “That looks like something Lydia Schoch might like.” But of course, I had to read it first to make sure, before I recommended it to her. Having read it, I feel even more strongly she’d like it.

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Another excellent Brad and Karen thriller. In this one, a case of academic misconduct escalates to murder and corruption. As always, Cooper does a great job using the political machinations of academia as a starting point to weave a tale of deception and crime.

If you’ve read previous books in the series, you already are familiar with the dynamic between Brad and Karen, and together they once again form an effective crime-solving partnership. I don’t want spoil anything here, but I think the ending of this one is my favorite in the series. (So far.)

I’ve been reading some traditionally-published thrillers by big name authors lately, and I have to say, many of them have over-the-top, superhero-like characters, which makes them hard to relate to. I prefer a book like this, where the characters are people you would like to meet in real life. That’s the big draw of the Brad and Karen books for me; I just like these two, and they make for pleasant company while venturing into the darker side of the academy.

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Weird westerns are so cool, don’t you think? Well, I think so. Cowboys and six shooters and ghosts and horses and vampires and steam engines… yes, there’s something about the marriage of the American southwest and supernatural beings that just produces some very interesting offspring.

Speaking of interesting offspring, that’s what the titular character of this book is. A young woman named Mary Anne O’Sullivan had a child with a supernatural being, and this child was then spirited away by a mysterious witch. Anne’s husband sought the child, but… well, that’s how she became a widow.

Not to be deterred, she asks Zarahemla Two Crows, a Federal lawman who specializes in the occult, to track down her son. But, despite the Marshal’s reservations, she insists on accompanying him. And so, this unlikely duo sets off across a haunted land of vampires, witches, zombies, giant mechanical golem cavalry, and a whole host of interesting characters.

I feel like I don’t need to say any more, and already, you should be hooked. But, just in case you’re not, let me say a little more. I loved this book. The pacing, the characters, the atmosphere; all of it is great. Anne is my favorite character, and I enjoyed seeing her growth over the course of the story. Like Zarahemla himself, we watch her transform from being merely a “confounded woman” into a confident, capable, and relatable character.

One thing I should mention is that the story is chock full of Catholic motifs. Faith is a major theme that informs the characters. This might give some readers pause, but I want to emphasize that this isn’t done in the preachy way that you get in some religious fiction. Rather, the discussions about faith feel like a natural part of the characters’ evolution.

There are also plenty of cool action sequences; big battles, with infantry, airships, and especially those great steampunk cavalry golems I mentioned earlier. How can you not want to read a book that has a scene with zombies attacking a huge spider-tank?

In summary, I really, really enjoyed this novel. It was everything I hoped it would be and then some. If you like westerns at all, and especially weird westerns, you’ve got to check it out.

Oh… and one last thing. There are a number of sly cultural references sprinkled throughout the book. At first, I wasn’t sure if that’s really what these were, or if I was just imagining things. I won’t spoil them for you, but after I read a description of a certain weapon devised in Antioch, I was sure I knew what was going on. These are fun little Easter eggs to discover as you read.

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Check them out here. If you’re not sure where to begin, may I suggest either The Friendship of Mortals or the short story collection Tales from the Annexe, the latter of which includes one of my all-time favorite Halloween stories. Both are free as part of this sale.

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This is a mystery about a detective tracking down a clown who is scheduled to perform at a local boy’s birthday party. The clown, who is also the boy’s uncle, has suddenly vanished with no explanation, and the boy hires Detective McKeever to find him.

Of course, Detective McKeever is only 8 years old, so this makes it hard for her to conduct an investigation. But she’s resourceful and plucky and, like any kid, doesn’t know any better. So, naturally, she finds herself involved in all sorts of comic misadventures, from infiltrating clown meetings to spying on cheating air hockey players. It’s full of all the zaniness we’ve come to expect from Shatzer’s books.

What really makes the story work is McKeever’s seriousness and her annoyance at the refusal of adults to ever take her seriously, which as often as not she turns to her advantage. It’s a fun story that captures how the world seems to a kid.

Remember McGorgol and Hockney at the Guano Island Hotel? That book was a fun take-off on mystery tropes with bird detectives. There’s something similar going on here, with kids acting out the roles of a noir mystery. Having incongruous characters enacting a familiar set of tropes is a good recipe for comedy, and Shatzer, master of humor that he is, uses it well.

Devoted Shatzer fans, of which I am one, and hopefully I’ve managed to persuade a few more, will no doubt enjoy this latest addition to his body of work.

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I’m a sucker for stories with amnesiac protagonists. Mostly, this is because of video games like Planescape: Torment which uses this device to create a sprawling, philosophical tale of self-discovery. After that, I was hooked on the idea of a story about someone who can’t remember their own past, and so I was happy to see that this novel, by the great Kevin Brennan, uses this device.

Jack, the protagonist of Yesterday Road, suffers from a form of memory loss that causes him to forget almost everything he knows each day. All he really remembers is that he’s looking for his daughter, who he thinks is named Linda, and that he needs to head “back east.” Other than that, it’s pretty much a blank slate for him after a day or two.

Along his odyssey, Jack meets plenty of interesting characters who help him on his vague quest, from a 31 year-old man with Down Syndrome to a middle-aged diner waitress. He also meets some less than savory characters as well, including drug dealers and carjackers. All of it leads to a wild road trip–there’s always a road trip in Brennan tales–that goes to a lot of places, both physically and spiritually. There is plenty of humor and plenty of tragedy in these pages; and Brennan’s gorgeous prose evokes all the emotions flawlessly.

Whenever people ask me to define literary fiction, I point to Brennan’s works. To me, he captures what it means to tell a story that fits no specific genre, but instead lets the reader meet people and learn their stories, almost like reading an account of something that really happened. He is a master of the craft, pure and simple. And Yesterday Road contains some of his finest work. A story that asks us to empathize with and understand some deeply wounded but resilient people, to get to know them, and to share in their world.

It’s all fiction, of course. But Brennan makes it feel real. It’s like magic, and when you read Yesterday Road, and follow Jack as he tries to recover some of his memories, you’ll find some of your own bubbling to the surface. Like Warren Zevon once sang, “We had to take that long, hard road / to see where it would go.” Every book really is the reader’s as much as it is the writer’s, but it’s the writer’s job to know what words to use to draw the emotions out of us. And Kevin Brennan can do it with the best of them. Yesterday Road is unforgettable and deserves to be widely read.

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In addition to Richard Pastore’s books as posted yesterday, today I learned that Peter Martuneac’s zombie apocalypse trilogy is also free on Kindle now through Thursday. These are dark, emotionally powerful, and ultimately rewarding stories of characters grappling with trauma. Highly recommended for fans of post-apocalyptic fiction.

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Richard Pastore’s books are free on Kindle this week to celebrate his birthday. The Devil and the Wolf and Perseus Kills His Grandfather are both highly entertaining blends of humor, fantasy, and mythology.

You can read my review of Devil and the Wolf here and my review of Perseus here.