Ok… check this out.
“My new blog project
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[link removed because duh]
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This seems to be from a series of decidedly “adult” spam comments that I received lately. But what’s up with that list at the end? It strikes me as a bunch of search terms strung together.
But that’s not near as good as what came next:
“You’re so cool! I dont suppose I’ve learned anything like this before.”
Now, this may not seem particularly funny… but the “name” of the “commenter” was “best psychic medium”.
Even better, then we have:
“Many thanks, I have been searching for info regarding this
subject matter for a long time and yours is the greatest I have discovered so
That’s from “free psychic call now”
I was worried the psychics might get upset that I’m making fun of them, but then I realized they already knew I was planning to, so they must be ok with it.
First of all, thanks are in order to loyal reader Natalie of boatsofoats.com. She notified me about a problem with the annotations on this page. I’m not even sure if I’ve completely fixed it yet, but I figure if not, I can at least make it up to her by directing some traffic to her excellent blog.
As for the annotations: I know nothing about HTML. But doing the original annotations for that page was not bad–it was just this:
<span text=”Whatever blithering comment I had”>Actual story text</span>
I then highlighted it in red to make it obvious which parts to mouse over.
But the problem was, it wouldn’t work on mobile devices–tablets, phones etc. And this bothered me. I tried to tell myself it was ok. But it was the sort of thing that would nag at me.
There must be a better way, I thought.
Mind you, I said I think. I’m not actually sure if it works on all devices yet. It definitely works on my iPad, which it didn’t originally when I was just using HTML.
That’s where you come in. I am calling on readers to come to my aid and check out the page to see if the annotations work for them. In exchange…
Let’s see,… I will teach you something about weird fiction from the 1890s?
How’s that sound?
Oh, another thing; some of the modifications I did seemed to (temporarily) play merry hell with the comments. (e.g. reducing my all-time comment count to zero, removing comment ‘likes’, stuff like that.) I think it’s fixed now, but if you notice any comment issues, let me know… unless the issue is that you are unable to comment, in which case you can use the form below or tweet at me
So I started reading Paradise Lost by John Milton. But before I even got to the poem itself, there was this:
“The measure is English Heroic Verse without Rime as that of Homer in Greek, and of Virgil in Latin; Rime being no necessary Adjunct or true Ornament of Poem or good Verse, in longer Works especially, but the Invention of a barbarous Age, to set off wretched matter and lame Meeter; grac’t indeed since by the use of some famous modern Poets, carried away by Custom, but much to thir own vexation, hindrance, and constraint to express many things otherwise, and for the most part worse then else they would have exprest them. Not without cause therefore some both Italian and Spanish Poets of prime note have rejected Rime both in longer and shorter Works, as have also long since our best English Tragedies, as a thing of it self, to all judicious eares, triveal and of no true musical delight: which consists only in apt Numbers, fit quantity of Syllables, and the sense variously drawn out from one Verse into another, not in the jingling sound of like endings, a fault avoyded by the learned Ancients both in Poetry and all good Oratory. This neglect then of Rime so little is to be taken for a defect though it may seem so perhaps to vulgar Readers, that it rather is to be esteem’d an example set, the first in English, of ancient liberty recover’d to Heroic Poem from the troublesom and modern bondage of Rimeing.” [All the typos are in the Wikisource text, and I assume are as found in some original. I think they are due to the fact that English spelling had not yet been standardized.]
Clearly, Milton was not a fan of rhyming. Or rimeing.
I think it’s sort of funny that he started out his Biblical epic by kvetching about rhyme and meter. I like to imagine that some poor sap saw a draft of Paradise Lost and asked, “Why doesn’t it rhyme?” And it set Milton off.
I particularly enjoy the “It may seem so perhaps to vulgar Readers” bit. That’s brilliant! I think I’m going to put a disclaimer at the start of all my writing from now on: “Readers, if you don’t like this, it means you’re stupid. It’s a work of genius.”
Paradise Lost may be a great poem, but I think it’s fair to say English rhyme is still going strong in spite of Milton’s objections.
Earlier this year, I set up a YouTube channel to post recordings of me reading fiction, poetry and miscellaneous other videos.
I don’t get a lot of views, but today I received a spam comment on this video that was even funnier than any I ever got here at WordPress:
Hey, A Ruined Chapel by Moonlight! I love your video! Keep it up. 🙂 I want to start making YouTube videos soon, too. [Link to Patreon page here, removed for obvious reasons] It would be so great if you could support me with a dollar to get things started because I need equipment for my videos. There’s no need to feel bad if you can’t, I still think you’re great and I wish you the best for you and your channel. This comment will be marked as spam because of the link, I’m sorry about that. Peace & Love, [Name withheld, again, obvious reasons]
Now, I am all for helping fellow YouTubers who are down on their luck. I might even have done it, too, except that despite the person’s professed love for my video, they didn’t bother to actually “like” it. My feeling is that if they couldn’t be bothered to do that, I really can’t pay them a dollar.
Am I too harsh?
(Kudos if you get the reference.)
When I was a lad, I used the family video camera to make all sorts of crazy movies. I wanted to be the next George Lucas or Steven Spielberg.
Naturally, being a young boy, my preferred genre was action/adventure. My main stylistic influences were Star Wars, The Terminator, and the James Bond movies. (Yes, I know I had no business seeing those so young, but there it is.)
I had several long-running series that I added to whenever I could get the camera and a new tape. (For readers under the age of 25: tapes were something that we used back then to record data.)
There was the “James Monkey” series–a collaboration between me and a friend which starred us as members of an elite secret agent team led by a toy monkey, whom we dubbed “James” for the parallel with James Bond.
Then there was the “Secret Agent Boy” series, which starred just me as an elite secret agent who operated alone, against enemies who were either invisible or strongly resembled plastic Halloween skeletons. (I was an only child.)
But my most elaborate series was a convoluted stop-motion epic I made using pretty much all of my action figures and other toys. It was a franchise crossover-laden multiverse, involving figures from Star Wars, The Terminator, Metal Gear Solid, Pokémon and many other random figures I had, led by the unlikely duo of Huckle Cat and Lowly Worm, from the Richard Scarry Busytown series.
(Some background: Huckle and Lowly were my favorite characters as a little kid. Naturally, I read all the books and then asked my Dad to make up new stories involving them. Dad’s stories were typically a darker take on the Richard Scarry canon–for example, one involved Huckle and Lowly running away to join the French Foreign Legion.)
The point here is, if you were wondering at what point in my life I first started creating weird fiction, the answer is “pretty early”. In fact, looking back, I realize nothing I’ve written as an adult is half as weird as some of the stuff I dreamed up when I was 10 years old.
Anyway, the reason I bring all of this up is that the other day I happened to find an old box with DVDs of my movies. Most of them are too long and too incoherent to post in full, but I found a few sections that I thought I’d share for your amusement.
The first is a car chase scene. If you can’t tell–and I’ll be very surprised if you can–what’s supposed to be going on is that a bad guy shoots out the tires on our heroes’ car, causing it to flip over and skid off a ramp–but not before it crashes into said bad guy.
I was so proud of those special effects when I was a kid. Hours of work for a few seconds of absurdly incomprehensible screen time.
The second clip is the opening title sequence to the same movie. (I’ve blurred the credits to avoid embarrassing any family members.) It’s called “Dr. Maybe”, because all my movie titles were parodies of Bond film titles. Also, to explain the first title card: the Buhwumbabumbas were another invention of my Dad’s–a warlike species of aliens who would frequently invade Earth to steal our supplies of their most prized commodity: baked beans.
Once again, this is probably totally mystifying to anyone who isn’t me. It’s supposed to depict the Buhwumbabumba ship landing on Earth. How I ever thought it actually conveyed that is beyond me.
One thing I am still proud of is that musical score. Composed by me–a person with no musical talent or training whatsoever–using my electronic keyboard. Maybe I’m crazy, but I think it holds up pretty well.
You’re going along in life, a typical, liberaltarian American millennial, enjoying a materially comfortable life with your friends, who are of every gender, religion, race, sexual orientation and ethnic background. It all seems quite nice.
And then you come to find out that, all of sudden, the Presidency has fallen into the hands of a nasty, misogynistic liar who despises you and all your friends, and who means to ruin the culture you grew up in, all on the pretext of “bringing back the coal jobs”.
“Well, now, that’s quite the caterpillar in my buttermilk,” you say. “What manner of devilry hath wrought this state of affairs?”
For a detailed explanation, see here. But the short answer is, it’s a thing called the Electoral College.
“That’s about the meanest trick I ever heard of,” you cry. “Can’t the Congress do something about this horrible chicanery?”
No, they can’t. Because the problem with the Electoral College is directly tied to the problem with Congress: apportionment of seats has caused both to favor one party. They have systematically designed the system to work for very specific voting blocs.
“Well, none of this sounds like it would stand up in a court of law,” you reply (rather exasperatedly). “I believe I’m going to fight this all the way!”
Good luck with that. Because the outfit running Congress has also stacked the Court in their favor, even violating the spirit of the Constitution to do so. So, even if you somehow get your case to the Supreme Court, don’t count on winning it.
“Has the world gone mad?” you ask in frustration. “I was raised to believe that liberal values had won out all across the developed world, and that racism, misogyny and robber barons were all relics of a bygone era.”
Yes–we were all told that. But as it turns out, liberalism only really controlled one branch of government–the so-called “fourth estate”. And that doesn’t get you as much you might think.
“It all sounds hopeless when you put it like that! They control all the levers of power; and all we have are our social media accounts and some safety pins. What can we do to dig ourselves out of this?”
“Yes,” you exclaim, filled at once with gallant liberal élan. “Let’s go for that!”
–but the problem with that is that to redraw the districts, you need to have political power, and to gain political power…
“…you need to redraw the districts,” you finish, in a defeated monotone, realizing the depth of our plight. “Then it really is impossible, isn’t it?”
No. It’s not impossible.
“Really?” Your ears perk up at this. “I thought you were just now trying to convince me that it was.”
No, no–we just need to think outside the box, that’s all. After all, what are Congressional districts? Are they, once drawn by a given party, henceforth and forevermore ordained to be in favor of that party even unto eternity?
“That’s a pretty highfalutin way of putting it,” you answer, a bit annoyed. “But even so, I can tell you that the answer’s ‘no’.”
Right! Congressional districts are just lines on a map. So just because they are drawn around a specific area…
“…doesn’t mean that the people living in that area have to stay there forever!” you say slowly.
Correct again! You are a sharp one, you know that?
(“Why, thank you,” you reply.)
Here, look at this map of the margins of victory by county in the 2016 Presidential election. Look at all those giant blue columns towering over everything.
“Great Scott! Look at all those surplus blue votes in California!”
I know, right? So my thought is: what if we simply transferred some of those extra blue votes into the red areas?
“You mean… people living in liberal cities should move out into the hinterlands, and cancel out all the redistricting and apportionment shenanigans?”
You ask this cautiously, because you are understandably skeptical that such a crazy idea could ever work. After all, isn’t it awfully difficult for people living in the city to just pack up and move out into the countryside? How will they get jobs and housing?
Good question. Maybe just moving to smaller cities would do the trick, though. Even the cities in the heartland have some liberal enclaves. The local politicians there may be sympathetic to bringing in more liberals. That seems like a promising place to start.
“Look,” you say, striking a more realistic tone. “This all sounds great on paper, but do you really think it can happen? Can we really save America just by moving to different cities?”
Maybe. I’m not saying it’s guaranteed. And certain… interested parties are already passing laws to make it difficult to vote for people who have just moved to a new state. So, it’s by no means a sure thing.
But, at the same time… can you think of a better plan?
Read more details here.