Poster for “It Comes at Night” (Image via Wikipedia)

It Comes at Night is a highly misleading title for this film. Actually, everything about the marketing campaign is misleading. It’s not really a traditional horror film at all. Aside from a few disturbing images and jump scares, its primary focus is horror of the psychological and atmospheric sort, rather than any physical monsters.

Of course, this brand of horror is very much to my taste. The most frightening things, I’ve always believed, are not what we see, but rather what we imagine. Ultimately, the root of all horror is the unknown, because in it the human mind traces all the most terrible threats.

And from this, it should follow that It Comes at Night would be a truly terrifying film after all, because it certainly provides the audience with plenty of unknowns. But in spite of that, it’s not as scary as one might expect.

There’s a lot to unpack here, but I’ll begin by summarizing the plot–don’t read ahead if you don’t want to know the spoilers.


You may have guessed I was building up to something bigger with all the poetry readings I’ve been posting lately.  I also thought I’d try doing a recording of my novella, The Start of the Majestic World.  Here is Chapter 1 of Part 1.  If people like it, I may do more:

Let me know what you think!  And, by the way, you can get the whole book on Kindle here.

thingprequelfairuseI have a tradition of watching a horror movie around Halloween.  This year, I selected The Thing because Joel Edgerton is in it, and I’ve thought he is one of the best actors around ever since I saw him in Jane Got A Gun earlier this year.

The Thing is a prequel to a 1982 film of the same name.  I haven’t seen that one, but from what I have read, the plots of the two films are the same: a team of researchers in the Antarctic are terrorized by an alien life-form that can disguise itself as a human being.

It is a strong setting.  The isolated Antarctic has potential for an eerie atmosphere, and the shape-shifting monster attacking the trapped team could have made for a tense, Alien-like horror picture.

I say “could have” because it squandered its potential.  The biggest flaw was the wildly inconsistent behavior of the monster. It would attack people, replicate them exactly, and seemingly copy all their memories and knowledge. Sounds pretty smart, until you realize that in its normal form, The Thing was powerful enough to just wipe out everyone there with brute force.

Also, it was a major plot point that The Thing could only copy organic material; not artificial stuff like fillings in teeth.  Again, this was a cool idea, but it was completely contradicted by the fact that The Thing apparently could copy the clothes its victims were wearing, because whenever it appeared in disguise as another human, it was always dressed identically to the real person prior to their demise.

None of the characters were especially memorable–Edgerton’s was probably one of the better ones, but that may have just been because he was the only actor with whom I was familiar. The heroine of the movie, played by Mary Elizabeth Winstead, is not bad, but the script is muddled as to whether she is supposed to be just a regular scientist fighting to survive or an Ellen Ripley type of character.

In the end, The Thing suffered from the most common problem in all horror fiction: it showed the monster too much, instead of relying on characters and atmosphere to create a mood of fright and tension.