Sandra blinked several times. There was something downright intimidating about this woman. Although she was very attractive, Sandra immediately rethought her guess about why she had been hired— she just didn’t seem like the type to have used a physical relationship with Max to get a job. 

“Uh, hi,” said Sandra, shaking the stranger’s firm, well-manicured hand.

An awkward silence stretched between them.

“So,” Venus said, her smile tightening as she sensed the tension, “Where do we start?”

“What did Max tell you?”

“That you would fill me in.”

Great; I’m training my replacement. Aloud, she said, “Okay, first how about you fill me in on who you are?”

Venus shrugged. “Well, sure, but there’s not much to tell. I was an officer in the Federal Espionage Service for the past seven years—handled various projects; breaking up arms dealers, smugglers; stuff like that.”

Yeah, boring stuff like that. “Why’d you leave FES?”

Venus bit her lip slightly before answering. “I just felt like I needed a change—needed to spread my wings a bit, y’know?”

“RIF’d in the big defense draw-down, huh?” Sandra said, an edge to her voice.

“Uh… yeah,” Venus replied softly.

“Well, look; I dunno how they did business in the Service, but here, we don’t have big budgets and lots of support staff to throw at a problem. We use our wits, and we do everything we can to help the clients. Because the client is the bottom line, okay? The way we stay afloat is by providing the best service we can to everyone who hires us. The client comes first, last, and in the middle, got it?”

Before Venus could respond, Max’s voice crackled over the comm cube on the desk. “Wonderful!” he said, “Now that you two ladies have gotten acquainted, let’s get started. We’ve only got a few moments before Mrs. Lurge should arrive.”

Venus took a chair at the conference table, while Sandra hastily swept the bulk of the detritus on the spare desk into one of its empty drawers and perched atop the desk.

“Here’s what we know.  On the morning of October the 1st, at about 4AM, an emergency call was received from the Lurge Robotics Factory. The night watchman reported that he’d found the body of Mr. Lothar Lurge on the old factory floor, cut to pieces by a laser grater.” Both of the women grimaced.

“To the watchman’s knowledge, there was no one else inside the factory that night. He said he had remained in his office throughout the night, except for checking on the assembly lines and floor area only every three hours, as outlined in his schedule. This puts the time of death for Mr. Lurge at some time between 1 and 4 AM. The record of the watchman’s keycard swipes corroborates his story.”

“Did the watchman say why Mr. Lurge was there so late?”

“No, he did not. He says he was not notified of his presence there. Which brings us to another important point: Mr. Lurge entered the factory through a little-used back door, rather than via the main entrance, which all personnel are required to use. There is no record of him swiping at the front door, and this maintenance door was left ajar.”

“Hold on a sec, Max,” said Sandra.

Venus had been hesitantly raising her hand while Max had been speaking, and she now pointed over Sandra’s shoulder. “Now what?” she said with more annoyance to Venus.

“Is that lady at the door our client?”

Sandra whirled around, and saw a woman in a black dress and jacket standing outside the office door, staring at them with some confusion.

“Oh, uh, yeah, maybe,” she said, scurrying across the room and opening the door. “Sorry about that, ma’am.” 

The petite middle-aged woman walked in and took the chair Venus offered her. Her demeanor was haughty and reserved, but her face was drawn, and her eyes were tired and a little puffy.

 “Mrs. Lurge, so sorry to meet you under these sad circumstances. I’m Sandra Darcy, this is Venus Miles.”

 Venus added, “Mr. Lurge was so important to the community,”

“Thank you, I appreciate that.”

“My condolences as well, Mrs. Lurge,” Max’s voice crackled over the comm. base station on the desk, causing the older woman to jump slightly, while Sandra only folded her arms in annoyance at Max’s love of joining unexpectedly. 

 “My apologies for not appearing in person. When you’re spread as thin as I am, you have no choice but to try to be in multiple places at once. My team and I have just finished reviewing the basic facts surrounding your late husband’s demise. Perhaps you can shed some light on certain points in the police report. To begin with, did your husband tell you why he was going to the factory in the middle of the night? ”

“He did not.” replied the stone-faced widow.

“Do you know why he would have used the back entrance?” Sandra tried again.

“No! He wouldn’t have,” the older woman snapped. “And even if he did, you can be damn sure he’d lock the door behind him! That’s why I know it was no accident! That’s how I know he was—was…”

She trailed off, choking back a sob.

Max coughed softly and resumed. “Curiously, the police made a thorough search of the area, and about 300 yards out from the factory, they found a trail of footprints leading down from a back road a mile or so behind the complex.”

All three women leaned forward on hearing this.

“Were they Lurge’s footprints?” Sandra asked.

Max paused portentously. “Definitely not. They were a size smaller and did not match the dress shoes Mr. Lurge was wearing when he was discovered. They appear to have been a man’s work-boots.”

“Now, you say they were about 300 yards out,” said Venus, a little hesitantly. “So what, these prints just stop 300 yards away?”

“Well, yes—they stop, turn around, and go back the way they came. The police’s working theory is that someone parked on the road, approached the factory, and left.”

“Well, hell; Max that’s suspicious as all get out,” exclaimed Sandra. 

“Yes, it is. But at the same time, there’s no obvious connection between that and the death of Mr. Lurge. It’s an odd coincidence, to be sure, but—”

“McIntyre,” said Mrs. Lurge. She spat out the name like an obscenity. “It had to be that bastard McIntyre!”

Sandra Darcy was lounging on her back porch, savoring the smell of coffee wafting from her mug and the golden-orange leaves rustling in the October breeze, when her phone emitted a familiar synth riff. It was the ringtone reserved for her boss, Maximillian Pallindrone.

“Howdy, Max.”

“Good morning, Sandy,” came the gravelly-yet-melodic voice of her employer. “I do hate to disturb you on this fine Sunday, but we have a client who is most insistent about meeting.”

She groaned theatrically. “Really, Max? Can’t it wait until tomorrow?”

“I’m afraid not. This is a big enough case I can promise that it will be worth our while, and it hits close to home. It’s Widow Lurge.”

Sandra nearly spit out her first swig of coffee. “Lurge? The robot factory Lurge?”

“The very same.”

“I assume it’s about her late husband?”

“Your assumption is correct, as usual. I’ll fill you in on the details on your way over to the agency. She will meet us at 12:30.”

“And let me guess: even though I’m supposed to be there in person, you’ll be joining us by remote conference call?”

“But of course.”

Sandra glanced at her phone. 10:37. Barely enough time for her to grab a shower and dress. She glanced mournfully at the nearly full pot of coffee sitting on her counter top.

“Awright. Talk to you then.” she said, walking in through the sliding glass door and ending the call. She set her mug down in the dishwasher and scurried to the bathroom, shrugged off her robe, and stepped into the shower, activating it with the curt command: “Quick rinse. I’m in a hurry.”

After showering and doing her hair, she slid into her grey bell-bottom slacks and a purple and grey paisley blouse. She tossed her JEK-17 pistol into her purse and slung it over shoulder. The hefty, boxy weapon felt awkward jostling against her ribs, but she’d left her holster at the office. She made a mental note to grab it when she got there. The automated kitchen assistant had transferred her coffee to the colorful geometric-patterned thermos waiting for her by the stove. She grabbed the thermos and trotted out the door and down the covered walkway that led to the resident garage and her bright orange hatchback, parked on the 3^rd floor.

Even in the gloomy lighting of the garage, the vehicle stood out, like a burst of sunlight breaking through a gap in the clouds. Compared with the surrounding cars, it was smaller, sleeker, and more stylish. It had a singularly elegant shape, with its sharply downward-sloping backdoor arch flowing into a long, low front, like a big cat about to pounce. Sandra had it detailed every two weeks, and on the stipend Max paid her, could afford all the best for it—ceramic coatings, chrome spoilers, and, as she would say, “all the fixin’s.”

She hopped into the pilot’s seat, flung her purse on the passenger chair, and keyed her code in to activate the onboard assistant. 

“Voice Authentication?” the machine prompted.

“Sandra Darcy,” she affirmed crisply.

“Password?”

“Disco.” 

“Welcome, Captain Darcy. Where to today?”

“Work,” she said with a slight grin. The computer’s default mode of address was simply “operator,” but she had selected “Captain” instead. It seemed altogether more appropriate.

The microbotic cushion flared out beneath the car, and it rose up over the pavement and zipped off. Sandra sipped her coffee as the hatchback wound its way down the garage ramps and out into the bright autumn day, while the pleasantly cool sensation of the Personal Pilot’s Cosmetic Assistant she’d recently installed applied foundation and lipstick to her face.

There wasn’t much traffic; being a Sunday morning most were still inside, and so the AI easily navigated into the invisible lane leading to the city of Gelunbu. Sandra watched lazily as the skyline grew closer.  In the cluster of curved, asymmetrical spires at the heart of the city was a cylindrical tower, its tinted green windows glistening in the morning sunlight. The McIntyre Building, Gelunbu’s signature landmark, dominated the cityscape. It’s like a giant middle finger, and the other buildings are knuckles, she thought. 

The crackling of Max’s voice in her earpiece distracted her from her architectural musings.

“So, you know all about the circumstances of Mr. Lurge’s demise, right, Sandy?”

“Just that he was found dead at that old factory a couple weeks ago. Is there more to it?”

“Yes—the night watchman said Lurge didn’t enter by the front door, and he didn’t sign in as protocols require.”

“Well, it was his family’s factory, wasn’t it? If anybody could wander in after hours—”

“True, but Mr. Lurge was a very careful and security-conscious man. He wasn’t one to disregard procedures lightly; especially not those of his own design.”

“What else did the guard have to say?”

“Well, you’ll have to follow up on that. But first, you need to hear what Mrs. Lurge has to say.”

“I guess since she’s coming to us, it’s pretty clear she thinks it was foul play, huh?”

“You know it. But there’s something else I want you to do before you meet with Mrs. Lurge.”

“Oh? What’s that?”

There was a pause, as if Max was trying to figure out how to word something. “Well, it’s like this… you’re not going to be working this case alone.”

Sandra nearly spit out her last swig of coffee. “WHAT? Are you saying—”

“Now, calm down. It’s no reflection on your performance,” Max said hurriedly, his low voice warming into his most paternal tone. “You know I have the very highest opinion of your abilities. It’s just… well, I received an applicant whose talents I just couldn’t say no to. Once you meet her, you’ll see what I mean.”

She’s a her, huh? Sandra thought. She suspected she knew why Max had hired her already.

“Ya coulda at least asked my ‘pinion first!” 

“I knew you’d be upset.”

“I’m not upset.” 

“You always lapse into your accent when you get upset or excited.”

“Don’t ya’ll change the subject! Have I ever failed to crack a case? Ever?”

“Never, Sandy. Like I said; it’s not about you. I think you and Venus will make a great team.”

Sandy disconnected. She was almost at the agency anyway; she had nothing else to say. The car drifted to a stop in front and gently lowered itself onto the pavement. Sandy climbed out, threw her aviator glasses onto the dashboard, and stormed up the stairs.

She marched through the lobby’s sliding glass doors and into the first floor suite that housed the agency. She was about to angrily throw her purse down in a chair when what she saw before her made her stop dead.

There stood a tall, slender woman—easily five feet ten, dressed in a tailored red pantsuit, and wearing a matching wide-brimmed hat. Everything about her radiated strength; her relatively broad shoulders tapered to a narrow waist and long legs. She was standing at the office’s till-then unoccupied second desk, which Sandra had long used for piling files, bills, scarves, shoes, and other knickknacks, and she felt suddenly self-conscious about this stranger observing her messiness.

The stranger had been studying a tablet, but on hearing Sandra enter, looked up with a brilliant smile that lit up her perfectly sculpted oval face and said, “Oh, hello. You must be Sandra. I’m Venus Miles. Delighted.”

Some facts about me: first, for well over a decade, I’ve wanted to write a story involving an abandoned factory. I didn’t know anything more specific than that, but I’ve long known I wanted to use that setting.

Second: I enjoy watching reruns of cheesy 1970s TV shows. Unfortunately, they quit airing most of my favorites on over-the-air TV, and I am never paying a monthly bill for TV.

So, during the lockdown, which lasted approximately from mid-March through mid-May in Ohio, I amused myself by combining these two elements and writing a story set in an abandoned factory and heavily influenced by 1970s television classics like Charlie’s Angels and Wonder Woman. And, because I just gotta be me, of course it had to have retro-futuristic sci-fi elements and Halloween references, too.

The result is an approximately 16,000 word story that is rather silly, but was extremely fun to write. Instead of publishing it as a book, I decided I’d post one chapter a week over the summer. Each chapter is roughly 1,000-1,500 words long. The first one will be posted here next Saturday.

Oh, and here is what, for lack of a better term, I’ll call the “cover” art: