I read Carrie Rubin’s first two books last year and enjoyed them tremendously, so I was very eager to read her latest effort, The Bone Curse. It tells the story of Benjamin Oris, a young medical student who injures his hand on an ancient bone in the Paris catacombs. Soon after, his loved ones begin to succumb to a mysterious illness. Oris, as one would expect of a med student, is a rational and logical sort of person, dismissive of supernatural explanations for the affliction.
But gradually, as more bizarre events begin to occur all around him, Oris discovers that he is descended from a cruel plantation owner who raped the daughter of a powerful Vodou mambo (female High Priest). To avenge her daughter, the mambo placed a curse upon the plantation owner’s bloodline.
Oris stubbornly continues, in spite of his friend Laurette’s urging, to maintain his faith in medical science and reject supernatural explanations, but as more and more of his loved ones begin to fall ill—and as events in his personal and professional life begin to spiral increasingly out of control–he finally has to admit the possibility that there is something beyond a normal illness at work. This leads him into a desperate effort to end the curse through extreme measures, and brings him into conflict with an ancient Vodou conspiracy.
I’ve never read anyone who can write a page-turner like Rubin can, and Bone Curse is similar to her previous books in that it quickly becomes impossible to put down. The last line of one chapter late in the book was an absolute gut-punch, and I just had to keep going to find out what happened. She has a real talent for writing lengthy but well-paced action scenes that hold the reader’s attention. (I’m probably unusual in this regard, but I often start to skim when I read fights or chase sequences in thrillers—but never in Rubin’s books.)
While Bone Curse, like her other books, has many medical elements—including a possible alternate scientific explanation for the mysterious illness afflicting Oris and those he cares about—the book struck me as primarily a supernatural thriller, and it’s clear the author did her research on Haitian Vodou. Many of the eerie rituals are described in some detail, and she does a great job of differentiating between true spiritual practices and the “Hollywood” caricature that the word conjures up for most people.
All in all, The Bone Curse is a gripping and fast-paced thriller. And as it is the first in a series, I must say I’ve been looking forward to reading the next installment ever since I finished it.
[The Bone Curse releases on March 27, 2018. This review is based on an ARC of this book I received from the publisher through NetGalley.]
[I recently read the bookEating Bull, by Carrie Rubin. I loved it, and contacted the author. She very kindly agreed to be interviewed about her work. Enjoy!]
BG: I’ll start at the beginning: how did you get the idea for “Eating Bull”? Did the idea just come to you one day, did some specific incident suggest it, or…?
CR: A little bit of both. Overweight/obesity is a professional interest of mine. I’ve dealt with it in both a clinical and research setting. Many people assume a large BMI means a lack of willpower, but that’s both inaccurate and unfair. Many other factors come into play, especially our disastrous food environment where processed food, mega-sizes, and sugar-laden junk bombard us wherever we go.
Through fiction, I wanted to bring the issue of the food industry’s role in obesity to light. Plenty of nonfiction books exist on the topic, but with fiction you get an emotional element as well.
As for a specific incident, several years ago a tearful, severely overweight adolescent sat on my exam table and said: “Not a day goes by I don’t know I’m fat, because no one will let me forget it.” That was the catalyst for my teenage protagonist.
BG: The book has three “starring” characters, each of whom represents a different view on the roles of the individual and society in causing obesity. Can you discuss these viewpoints a little, and also how you balanced the amount of page time devoted to each? Was it difficult to strike that balance?
CR: I wanted to represent three viewpoints, from one extreme to the other, all of which exist in our society:
My secondary protagonist, a social-justice-seeking public health nurse, represents the viewpoint that society plays a huge role in our weight gain and must take responsibility.
My villain, an obsessive-compulsive fitness fanatic, believes obesity is entirely the individual’s fault and takes it upon himself to rid the world of “undisciplined sheep” … in a very bloody way.
My primary hero, an overweight teenager, falls somewhere in between, representing the viewpoint that both the individual and society play a role, but that society must make changes so that it’s easier for the individual to change too.
As for the number of pages devoted to each, I simply shifted to a new viewpoint with each chapter, rotating the characters on a regular basis, each carrying the story forward according to his or her point-of-view.
BG: Regarding the villain of the story, Darwin: He’s really a repulsive and terrifying character, but you also show just enough of a glimpse of his past to make the reader feel a little sorry for him at the same time. He seems genuinely mentally ill, rather than just a caricature of a psycho killer–I loved that. Any observations (or advice) on writing plausible, well-rounded villains?
CR: Villains are tricky to write. They can easily become one-dimensional. Rounding them out into full-fledged characters with likable—or at least relatable—traits is difficult, and I have a ways to go before I master that skill.
Darwin’s pretty despicable, but I tried to create backstory that would explain how he got that way. This proved even trickier considering I hid his identity until the climax. I had to flesh out his character without giving away who he was. That adds an element of mystery to the thriller and hopefully keeps the reader guessing until the end.
BG: I could go on forever about how much I liked the characters in “Eating Bull”. Expanding from just Darwin, what are your techniques on writing characters generally? Apart from the three starring characters, did you also write the supporting cast to reflect the central theme of the novel?
CR: Before I even start my outline, I define my main characters: their likes, dislikes, dreams, goals, mannerisms, etc. Characters drive the plot, so I like to have a firm grasp on them before I start much story planning.
As for the supporting cast, I usually have them in mind before I begin, but they tend to blossom as I go along. In Eating Bull I did indeed write some minor characters to reflect the central theme: the bullying grandfather and classmate, the unsupportive boyfriend who dislikes overweight people, the dietician and fitness coach who guide my main character toward his goal.
Some of the supportive characters heap a world of hurt on my teenage protagonist, but I wanted to reflect real life. In my research for the book, I attended a seminar in which the focus was to highlight the frequent fat-shaming that goes on in our society—including from the healthcare industry—and to shift the onus from weight loss to size acceptance. The tales the speakers told of the shaming they experience on a regular basis, from acquaintances and strangers alike, horrified me. I knew I needed to have my character experience the same thing if I wanted to be honest to the theme.
BG: What is the central message you want readers to take away from “Eating Bull”?
CR: I’ve already touched on that somewhat, but the main takeaway is: weight gain and loss isn’t as simple as calories in minus calories out. There are many other factors in the equation, including hormones, biological determinants, neurochemicals associated with addiction, socialization of food, poverty, food environment, built environments (poor walkability of a city, food deserts, etc.), and yada yada yada.
I could go on and on, but the point is, changes need to be made at all of these levels if we want to see real progress. Expecting the individual to do it alone hasn’t worked too well for us so far. It’s time to up our game.
BG: So, not to spoil anything, but you’ve mentioned you are working on another book. Any hints as to what to expect from it?
CR: I’m often reluctant to discuss my unpublished works (worried I’ll jinx things, perhaps?), but I can tell you my latest completed manuscript is a medical thriller with supernatural elements. There is no shortage of medical thrillers out there, so I like to change things up a bit. It’s pretty much ready to go, and I’ve just completed the first draft of the second in the series. I’d like to write at least three novels with the same recurring characters—maybe more—but each book will be a complete stand-alone.
BG: What other authors have influenced you, either in writing style or in genre/subject matter?
CR: I always get nervous with this question, because I worry I should list a number of literary greats, but that’s not how it is for me. I’m all about the storyteller.
In my teen years, Stephen King was a huge influence on me. More than just be a writer, I wanted to be a storyteller, and to me he’s one of the best. JK Rowling is in that category too—a gifted storyteller—and if I can match a fraction of their skill I’ll be happy.
In terms of writing medical thrillers, Robin Cook was my first influencer, and while his writing might sometimes get panned, he knows how to weave a good tale. I’m easy to please and can overlook a lot. Give me a story I can get lost in and you’ve got me as a fan forever.
Before I go, Berthold, I want to thank you for your support of my novel and for interviewing me on your blog. It’s a pleasure to be here and I enjoyed answering your questions!
BG: My pleasure. Thank you for your thoughtful and informative answers!
[Carrie Rubin is a physician, public health advocate and the author of medical thrillers Eating Bull and The Seneca Scourge. You can find her books here, and also be sure to check out her website and social media pages.]