And inky clouds, like funeral shrouds,
When the footpads quail at the night-bird’s wail,
Then is the spectres’ holiday – then is the Ghosts’ High-Noon!”
The 1953 D’Oyly Carte performance of The Sorcerer.
I’ve found that there’s a Gilbert and Sullivan operetta that works for every atmosphere and mood. The Sorcerer is best listened to on a warm, gray day. Sullivan’s music is very evocative of that sort of setting, which I guess is the typical “English village” atmosphere.
It’s true that it’s not their best work, or even close to it. (As somebody once put it: “At times, Gilbert seems to have missed the memo that it was a comic opera.”) But still, it’s pretty good listening if you’re in the right sort of mood.
Also, there is something pretty funny about the fact that when the Sorcerer invokes demons while brewing a love potion, it doesn’t seem to raise any red flags for the hero of the piece. I hope that was intentional on Gilbert’s part.

(Image: Drawing of the incantation scene from The Sorcerer from 1877. Via Wikipedia.)
“There are brigands in every station,
And robbers in every rank;
Some plunder the wealth of a nation,
Some modestly pillage a bank.”
–W.S. Gilbert. Princess Toto. Act II. 1876.
“Government by Party! Introduce that great and glorious element… and all will be well! No political measures will endure, because one Party will assuredly undo all that the other Party has done; and… the legislative action of the country will be at a standstill. Then there will be sickness in plenty, endless lawsuits, crowded jails, interminable confusion in the Army and Navy, and, in short, general and unexampled prosperity!”–W.S. Gilbert, Utopia, Limited. Act II. 1893.