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I decided to post this after reading this post by Barb Knowles.  Like her, I was disturbed to see that most of my favorites are white men. (And all but one of them is dead.) Also like her, I’d love to have suggestions on diverse authors. I plan to do a list of my favorite non-fiction authors–that should be a lot more diverse.

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W.S. Gilbert: As long-time readers will know, I’m a huge Gilbert and Sullivan fan. Sullivan was a fine composer, but in all honesty, it’s Gilbert’s words that I love.  Moreover, he has a huge number of other plays done by himself or with other composers.  So much wit and genius.  Truly, he “made his fellow creatures wise” by “gilding the philosophic pill”. He’s the reason I became a writer.

 

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George Orwell: Most people know him for 1984, and it’s a great book. But I think his best fictional work is Animal Farm. These books are more than just political satires on events of the time–they are timeless examinations of human nature.

 

 

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Charlotte Brontë: True, I’ve only read one book by her: Jane Eyre. And yes, it is in some ways dated with the trappings of Victorian melodrama. But it’s still a very good tale, filled with unexpectedly humorous moments.

 

 

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Robert W. Chambers: The King in Yellow, and more specifically, The Repairer of Reputations, is the greatest weird tale I’ve ever read. Not even Lovecraft or Poe ever managed to create such a bizarre atmosphere in so few words. I’ve read it countless times, and each time, I have more questions about it.

 

 

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Robert Bolt: He didn’t write books. He wrote films and plays–most notably Lawrence of Arabia and A Man For All Seasons. If you want to see historical fiction done right, look no further than these. Lawrence is one of my favorite films, partly for its beautifully spare script.  Man For All Seasons is a fascinating take on questions of morality and pragmatism vs. idealism.

 

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P.G. Wodehouse: As somebody once said: it is impossible to be unhappy while reading one of his books.

 

 

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Harper Lee: To Kill a Mockingbird is one of the most widely-read and beloved books in America. And yet I still think it’s underrated. Mostly, this is because so much of the talk about it focuses on Atticus Finch.  He’s a good character, but it means other characters like Heck Tate, Miss Maudie, Calpurnia, and even Boo Radley himself don’t get their due. Go Set a Watchman, meanwhile, is not bad once you understand it’s a draft–which many people don’t.

 

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Thomas Hardy: In some ways the anti-Wodehouse, as his stories are usually very grim. But he was a master at creating an atmosphere, and there are parts of Tess of the D’Urbervilles and Jude the Obscure that are shocking even now–I can’t imagine how they would have struck Victorian audiences.

 

 

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John Kennedy Toole: I’ve only ever read one book by him.  (For a long time, it was thought to be the only one he wrote.) A Confederacy of Dunces is a strange, strange beast. If I tried to describe it, you probably would think it totally crazy.  And it is.  But it is also brilliant–I’ve never seen such an intricate plot that fit together so neatly.

 

 

1024px-chris_avelloneChris Avellone: I did it. I put a video game writer in the same company as Brontë, Orwell and Hardy. And it’s justified. The script for Knights of the Old Republic II is a meditation on the spiritual and psychological effects of war that ranks as great literature. And the iconic Kreia is one of the all-time great female characters. I rank KotOR II slightly ahead of Avellone’s legendary Planescape: Torment, which explores many of the same themes, but both are absolute masterpieces.

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There are two books I consider to be “Great American Novels”, and one of them is To Kill a Mockingbird. (The other, by the way, is A Confederacy of Dunces.)

So you might think I’d be excited that a sequel to To Kill a Mockingbird is being released. But I’m not.  It strikes me as bizarre, more than anything else.  Supposedly, Harper Lee wrote this book–entitled Go Set a Watchman–prior to Mockingbird.  According to Wikipedia: “It was set aside when her editor suggested that she write another novel from the young Scout Finch’s perspective. The manuscript was then lost for many years, until being rediscovered by her lawyer in the fall of 2014.”

Now, how could they possibly misplace the sequel to one of the most famous books written in the last half-century for this long? If that’s actually true, it suggests that somebody screwed up royally. This article says “Lee’s lawyer found it affixed to an original typescript of To Kill a Mockingbird.” Huh. An original typescript of To Kill a Mockingbird. Where was this typescript? Something like that would very valuable, even if it had no other forgotten sequel attached to it.  So I would presume it would have been kept somewhere safe in the years since Mockingbird became one of the most famous books in the world.  And I would think whoever was keeping it would have been careful to keep it in good condition, and thus noticed the other book attached to it long before now.

But it seems crazy to me that, even after it became one of the most widely-read books in American history, even after it was made into an award-winning movie, Lee’s editor never thought to say “hey, what about that other book you were working on? Since evidence suggests people like your writing, maybe you ought to give that one a go.”

It strikes me as very, very hard to imagine that people in the book business are that sloppy.

So, what else might have happened?  Did Harper Lee get conned into agreeing to release something she didn’t want to release, as this article suggests? Did they have somebody else write it and have Lee agree to put her name on it?  I have no idea, but the whole thing looks weird.

That being said, I’ll probably buy the book.