I expected “The Last Lovecraft: Relic of Cthulhu” to be unwatchable.  Anytime you see a DVD for $2.00, you can’t have high hopes.  But, Lovecraft movies aren’t super-common, so I thought I’d give it a try, fully expecting to stop watching after five minutes.

I was very pleasantly surprised.

The movie stars Kyle Davis as Jeff Phillips, the last living relative of horror-writer Howard Phillips Lovecraft. Jeff and his friend Charlie (Devin McGinn, also the film’s writer) are entrusted by a secret society to protect an ancient relic that the Cult of Cthulhu is trying to steal to awaken the infamous Sea-Monster-God.  Only Jeff has Lovecraft’s genetic ability to resist the telepathic powers of the Cultists, which drive all others who meet them insane.

If this premise sounds a little silly, well, it is.  That’s because the movie is a horror/comedy, but I’d say it’s about 80% comedy, and 20% horror.  And it works.  It’s a very amusing little adventure, while still being reasonably faithful to the principles of Lovecraftian-ism.

The monster special effects are horribly cheap and hokey-looking, but it all works because (a) it’s a comedy and (b) Lovecraftian horror isn’t really about the monsters you see; it’s about the monsters you don’t see. Granted “Lovecraft” and “comedy” are two words you don’t often see together, but in this case, the two blend pretty well.

Is it a great movie? No, but it’s a lot of a fun for anybody who enjoys Lovecraft’s “Yog-Sothothery” but doesn’t take the “Mythos” too seriously.  It’s the most successful blend of cosmic horror and  comedy I’ve seen since the great “Fishmen” musical adaptation of “The Shadow Over Innsmouth”.

The only other thing I’d add is that if you are offended by coarse language, you might want to steer clear.  There is a lot of swearing, although it never felt forced or like “swearing for the sake of swearing”. There is also a fair amount of violence, what with the monsters eating people etc., but frankly, the effects are so silly it barely qualifies as violence in my book.  Your mileage may vary.

I happened to see a bit of the first Harry Potter movie on TV the other day.  It was about as I had remembered: too faithful to the book, to the point where it got dull.  (An explanation of the rules of Quidditch is funny and entertaining on the page.  On the screen, it is boring.)

For whatever reason, I decided to also watch the last Harry Potter film as well afterwards–mostly just to see how the cast aged.  But what I noticed, due to the discussion of color in my last post, was how different everything looked from the first film to the last.  I’m not talking the actors here–I’m talking about everything.

Apparently, Voldemort’s rise resulted in a change in how light is reflected.  The colors in the first movie–while still relying heavily on orange and  blue–were nonetheless fairly vibrant and distinct from one another.  By the last movie, everything looked completely washed-out and greyish brown.  It appeared that someone had applied a desaturation filter to everything except the magic spells.

I’m guessing they think they were doing a good job matching the darker tone of the story in the last movie by doing this.

They were wrong.

The movie was so visually uninteresting that it physically hurt to watch.  That’s not good film-making, and it’s not a good way of matching the tone of the story with the scenery.  It can be, sure; but it is not automatic.

The first Harry Potter film was by no means a triumph of cinema, but it was fairly decent visually. The last one was borderline unwatchable because of how uninteresting it looked. I might not have thought too much more about this though, except that I then happened to watch a couple scenes from the movie Apocalypse Now a few days later.  Now, I don’t think it’s an especially good movie, because the story doesn’t make any sense, but it does have awesome cinematography. If you couldn’t tell from the title, it is a rather thematically “dark” film as well, and yet the ending scenes where Martin Sheen goes to assassinate Marlon Brando have plenty of vibrant color.

Here is a still from the climax of Apocalypse Now:

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Here is a still from the climax of Harry Potter and the Deathly Hallows:

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How is it that a picture of a camouflaged man standing in a muddy lake at night is more visually compelling than a wizards’ duel?